EKA PADA BAKASANA II

EKA PADA BAKASANA II

The Essence of Push & Pull

THE GUNAS

THE GUNASThe essence of push & pull

We’ve all experienced the essence of push and pull in one way or another. Its presence is evident all around and within us. We all experience the rise and fall, the movement of our thoughts in our minds (the vritti). These forces are present during our various emotions, when we’re making decisions, during conflict, when we are challenging ourselves physically and emotionally. Push and pull is undeniable in nature and the environment all around us… You get it. It’s really everywhere. We also experience it in our yoga practice. In the Yoga Sutras, these forces are explained as the Gunas. 

To be more specific, Alan Finger, in Tantra of the Yoga Sutras, explains Yoga Sutra 1.16 (Tat param purusa khyater gunavaitrsnyam) in the following way: 

“The three gunas are rajas, tamas, and sattva. They are considered to be the primary sources of nature that are responsible for all of the change and movement that we experience in life.” 

Finger, Alan. Tantra of the Yoga Sutras, Shambhala Publications, 2018. (pg. 26)

What’s incredible is that we will see how this also applies to our physical yoga practice. Matt breaks down the biomechanics of Eka Pada Bakasana II and shows us how the essence of push and pull exists in both the mind and the body.

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    RAJAS, TAMAS, & SATTVA

    Finger explains how rajas is a more outward, vigorous force, while tamas is a more inward, softer, more restful force. While these 2 energies sit at opposite ends from one another, it’s sattva that sits in the middle and/or is considered the balance between the two. Alan Finger explains that sattva is where we find stillness.

    Being that these forces are ever present and that the circumstances of our lives are constantly shifting, it’s easy to find ourselves leaning more towards one side of the spectrum than the other. It’s our awareness that helps us to recognize when we have gone “too far” over to one side. Now, it’s super important to understand that if we adopt the more contemporary interpretation of the three gunas, then we understand that all of these forces are necessary and very human parts of life. It’s not “bad” to experience one or the other, but it’s your awareness and deeper connection, or knowing of yourself, that helps you experience these states of being without any attachment. 

    When in a more rajasic state, we are in a place of taking action; we are “handling our business,” so to speak. There is no struggle to get out of bed, we might engage in a regular asana practice, we eagerly run through tasks at home and/or at work, etc. On the other side, in a more tamasic state, we surrender to rest, and we tend to go more inward. In this state, we allow ourselves time to replenish and renew.

    If we adopt this more contemporary point of view, there seems to be a comfort and safety present. There is no need to reject what already exists within and around us. Noticing, without judgment, these forces of nature may help us move and flow more freely between each state when necessary. This may be viewed as actually being in a more sattvic state because we are actually experiencing flow, a steady mind, and therefore stillness and balance.  

    HOW DOES THIS APPLY TO YOUR PHYSICAL YOGA PRACTICE?

    Matt teaches a class in the Heart Module in his 300 Hr. Teacher Training called “Push & Pull: Rajas and Tamas. Crow/Half Crow Half Titibhasana” (Eka Bakasana II). There he says, “Sattva is how we feel when the push and pull of rajas and tamas come into a state of equanimity. This leads quite nicely into how we can understand the push and pull in our asana practice as well. In this sense, it’s the actions and activations we take in our bodies.”

    Before we explore this, it’s also essential to understand that even though the gunas are natural forces of nature, we can still find ourselves spending too much time on one end of the spectrum. In this class, Matt explains that when we are way out of balance, a more rajasic state can produce feelings of anger, impatience, even anxiety. If we’re spending too much time in a tamasic state, this is where we may not be attending to necessary tasks and there is loss of energy and lack of motivation.

    Just like our yoga practice, these emotions, actions, or lack of actions are not who we are; they are actually opportunities. They are messages telling us something. They’re sending us messages that something needs to shift. This can be recognized as the development of our discernment. Now this is key, this is actually the juicy part! This collision of philosophy and physical practice is where we really unleash both our emotional and physical potential.

    In today’s video, Matt demonstrates the required push and pull in Eka Pada Bakasana II (Half Crow / Half Titibhasana). We witness the importance of what Matt says: “harnessing the activity of the mind (rajas) to move toward sattva.” This is done with focus and intention. There can only be well-placed effort, continuous well-placed effort, in order to achieve this.

    WATCH THE VIDEO: EKA PADA BAKASANA II

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    EKA PADA BAKASANA II (HALF CROW, HALF TITIBHASANA)

    When it comes to the execution of Eka Pada Bakasana II, the push comes from the upper body, while the pull is in the lower body. There must be equal effort within these opposite actions. This can be interpreted as a “sattvic state in the body.” What I mean by opportunities is that when we feel something “off”  in these actions, we must utilize our discernment. Maybe there is not enough pull/adduction of the legs and/or not enough rounding (protraction) of the upper back due to lack of push with the hands/upper body. Even neglecting the internal rotation of the extended leg can throw things off. This may lead to a loss of stability in the posture, taking us out of balance. 

    We can see more deeply how this is the practice; this is yoga. The process of harnessing the mind to focus and find balance and equanimity in Eka Pada Bakasana II (Half Crow/Half Titibhasana) is completely aligned with our process to move towards sattva in our emotional body. There can be moments of frustration, of uncertainty, but again, these are all beautiful messages for us to receive. They are exquisite opportunities for us to explore and experience without attachment.

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      Take the opportunity to dive deeper into these teachings and the potential of your physical body in Matt’s upcoming 200 & 300 Hr. Teacher Trainings.
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    full side plank and modifications

    FULL SIDE PLANK WITH MODIFICATIONS

    STEP-BY-STEP VASHISTHASANA BREAKDOWN

    FULL SIDE PLANK

    FULL SIDE PLANK AND MODIFICATIONS: VASHISTHASANA

    USING THE WALL AS A PROP

    Full Side Plank (Vashisthasana) has many modification options and variations to help make it more accessible or more challenging. I love teaching this posture with a foot on the wall to increase stability and provide a frame of reference for shifting the weight out of the hand and into the foot. 

    Some people avoid props, thinking of them as a “crutch.” For sure, they can be used as a way to avoid challenges if that is your intention, but they can also be used to increase body awareness and help you develop technique. Props are neither good nor bad; it’s just a matter of how and why you are using them. Is it that you want to avoid challenge or that you want to face challenge intelligently and appropriately?

    In the video tutorial below, I show how to modify side plank by placing your top foot on the wall. This reduces the required balance and will allow you to focus on the foundations of the posture, like the strength of your hand and wrist. Press your thumb and pinky fingers into the ground. Then focus on your bottom foot, pressing the instep of your foot into the wall. Eventually, you will be able to place the whole standing foot on the ground, which will give you strength and the power to lift the hips up. Lastly, keep your shoulder externally rotating, as indicated in the video.

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    Full Side Plank & Modifications • Vashisthasana at the Wall

    This Side Plank tutorial footage is taken from the July 2021 Immersion, titled BALANCE

    Full Side Plank Setup

    What I don’t discuss in this particular clip is how the setup of this posture is exactly like Wild Thing. This means your pelvis is more open toward the sky, while in standard Side Plank, your feet are stacked. The spine is in a backbend as well, unlike the standard variation, where the spine is neutral.

    There are other alignments you could explore, but these will tend to give you the greatest access to the full Side Plank variation where you grab the top foot and extend the leg. If you want to practice the full class, be sure to check out Class #9 of the July 2021 Immersion, called Balance

     

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    Three Full Side Plank Modifications and Variations

    1. Foot on the Wall: Once you rise up into Wild Thing, place the back foot on the wall and push your weight toward the wall, even if it means both knees are bent. This is not only okay but an indication that you are doing it properly.
    2. Tree Pose: The next step is infinitely more challenging because it requires greater balance and flexibility. Take the foot off the wall, similar to Tree Pose but without placing the foot on your inner thigh (though that is also another variation). I suggest pushing your knee into your hand to get your hip flexors active. Hip flexor strength becomes key when you attempt to straighten the leg. Often the tension of the hamstrings is too much and people have to let go of the foot. If your hip flexors are strong and used to engaging in this position, then they can help out by keeping the top leg closer to your upper body, lessening the chances that you’ll have to let go of the foot when extending the leg up to the sky.
    3. Full Side Plank or “Extended Vashisthasana”: Pull your knee in as tight as possible in order to grab your foot. Either stay as a modification or begin to kick the foot to the sky, straightening the top leg. Pro tip: It’s helpful to keep the bottom, weight-bearing leg bent while extending the top leg upward. 
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    Can’t Straighten Your Legs?

    This is normal and really shouldn’t be your focus. This is an incredibly physically demanding posture that requires extreme flexibility. Even with slightly bent knees, the posture is still visually stunning and, I would argue, even more biomechanically sound because bent knees typically trigger more muscle engagement.

     

     

    Edited by 300-hour Chromatic yoga teacher, Donna Morin.

     

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    Chaturanga Alignment Part 2

    Chaturanga Alignment Part 2

    3 Steps to Apply Shoulder Actions

    CHATURANGA

    CHATURANGA: Integrating Shoulder Actions

    Integrating the 3 Necessary Shoulder Actions into your practice can be complicated, so to help you I have come up with 3 Steps to Master your Chaturanga. If you haven’t yet watched Chaturanga Alignment: 3 Necessary Shoulder Actions  then it is best to start there and come back to this afterwards. The 3 step process will help you develop “Muscle Intelligence” or the awareness of how to create specific actions in your body to find less complicated positions which require less strength and give you the space to explore new sensations. If done consecutively, these steps will build the strength over time that will make chaturanga feel light and free.

    Most of us sitting at our computers are not able to get up and start practicing, but if you do have the liberty of doing so, practice along with this video. If not, then simply watch and come back to it at another time so you can practice along. This is meant to help you apply the actions, not just understand them.

    Be patient with yourself as you work through each of the exercises – techniques take time to embody.

    The Intention 

    Perhaps the most confusing thing in the yoga community is the myriad of opinions about how to do each pose. Part of the reason for this is the differences each of us have from body type, to personality, to experience. Additionally, however,  each of us offering a path has a different intention behind our set of alignment cues or muscle actions. It is for this reason that I want to be clear that this is only one approach, and I am happy to provide for you the benefits and the challenges that come with this way. This approach to Chaturanga comes with the intention to build strength in multiple forearm muscles, the seratus anterior, triceps, external rotators of the the humerus, and the pectorals major. With all of these muscles working together to build strength you will inevitably feel more stable and light in your chaturanga and jump back to chaturanga, and also you will be well prepared for arm balances. If you have no intention of building strength in your upper body or practicing arm balances, there might be better ways of practicing Chaturanga. If you have a movement pattern that does not allow you to do protraction without upward tilt of the scapula then you might be better suited to a softer approach for a while. If you are experiencing chronic strain or compression in your wrist joints you may find leaning back in your chaturanga may be either better or worse for you. I mention this not to deter you from fully understanding and integrating this approach to chaturanga, but to help you to understand that there is never and will never be one correct approach to anything. What is good for you now may not be good for you later, and what was good for you yesterday may not be good for you today. This may be hard to grasp but if you try to keep an open mind and let yourself explore various approaches with the utmost attention to detail, you may find a greater sense of mastery in your body than you could ever find by doing one posture “the right way.” If you are ready to build strength, and/or set your self up for arm balances and jump backs, then let’s get started together!

    3 Step Integration

    When learning to integrate new muscle engagements or structural alignments into your practice, it is beneficial to simulate the shape with less stress on the muscles and joints. This usually entails changing your relationship to gravity. In the video and in the 3 steps below, I show you how to do this by doing chaturanga at the wall first, and then on your knees before trying the full posture. Doing these steps often provides a greater proficiency than simply trying it all out right away. This is because your body will always fall into its normal patterns when it’s asked to hold all your weight. We have to shake things up a bit to learn something new.

    Step 1 - Chaturanga at The Wall

    Regardless of your level, doing chaturanga at the wall and applying the three shoulder actions is huge in helping build masterful proprioception. This is the most important step in my eyes, especially since you’ll have plenty of time in class to practice step 2 and 3. Taking all the weight off of your body and just applying the actions until it is fully integrated and completely clear in both mind and body will be the best thing you can do. Mastery is not about halfway getting something, but rather nailing it down so that it will never be forgotten regardless of how long you leave the subject of study. Rock this exercise several times for several days/weeks and you will be well set up for building strength rapidly. Strength builds rapidly when our actions are precise in our body.

    Step 2: Chaturanga on Knees

    To be honest, when I take a vinyasa class, I do the first 5-10 chaturangas on my knees to get my body and mind linked together prior to floating back. Chaturanga on the knees is a great way to practice the actions with slightly less body weight. This is where you will begin building muscles appropriately, so be as precise and mindful as possible so you are strengthening the muscles required for the 3 shoulder actions. My best advice is start with your shoulders a little bit past the wrists to simulate the leaning forward when coming from plank. With your knees on the ground you can’t actually shift forward so you’ll have to begin by placing your knees closer to your wrists than you normally would. Second, make sure you create one long line from shoulders to knees, without breaking at the hips.

    Step 3: Plank To Chaturanga

    When attempting full chaturanga with a block, it becomes easier to compensate and “fake it” and either over engage in muscles that are not efficient for the actions, or simply getting caught up in compression – placing your bones in the way of the movement in order to slow the movement down – SEE  FIRST VIDEO when I talk about “Upward Tilt” of the scapula.

    Mastering these shoulder actions will not only make your practice of chaturanga easier and more enjoyable, but will open up a whole new world of power and strength in your arm balances.

    If you find yourself struggling to integrate the actions in this version, I highly recommend focusing on the first two options for about 3-5 months and then coming back to this.

    Complexity

    The shoulders are incredibly complex and as a result, it takes quite a lot of self-practice and study to gain any sort of mastery.  I break things down into small steps so that you are able to integrate the actions in your body more easily, however these steps are just the beginning. Let these actions settle into your body over time; rather than forcing them into every chaturanga, pick one action to focus on in your classes and first observe what you are doing before you make changes. Little by little, try to apply the action and notice what it feels like each time. This is a highly effective approach that builds patterns in the body and awareness in the mind. If you are interested in more shoulder strengtheners and stretches check out the Handstand Training. It comes with several videos that directly target the shoulders. Thank you for stopping by. Please share your comments, questions, or requests for other blog topics!

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    Chaturanga Alignment Part 1

    Chaturanga Alignment PART 1

    3 Actions To Get Stronger

    CHATURANGA ALIGNMENT FOR STRENGTH

    Chaturanga is one of the most repeated poses in the modern yoga practice, and it happens to be one of the most challenging on the shoulders. It is highly beneficial to take a look at the mechanics of the posture. I have been studying this posture for over a decade and I have to say chaturanga seems to be one of the most mysterious postures out there. So many teachers are offering “correct alignment” and throwing around “shoulds” and “shouldn’ts” without taking a deep look at what is really happening. Part of why there are so many contrasting opinions is the simple misunderstanding that bones and muscles are not the same – or better put, alignment and muscle engagement don’t necessarily go hand in hand. When we say that the elbows are bent in chaturanga we are referring specifically to the structure or alignment of the pose, NOT the action of the muscles. If we are to pause in chaturanga and hold it as a posture, what are the muscles that stop the elbows from bending? You may have figured it out – the triceps. What do the triceps do? They straighten the elbows. So we can say pretty confidently that in chaturanga the elbows are bent, but we are trying to straighten them in order to stop or slow down movement. The same is true in the shoulder blades, but because the shoulder blades aren’t as straight forward as bend and straighten, most people have a cloudy understanding of what is happening there.

    THE SHOULDER BLADES

    What is happening at the shoulder blades in chaturanga? As for the structure, I would argue that they are retracted (closer together) and most likely in what is called upward tilt (Video Time Mark – 3:30) – shoulder blades climb up and over the top of the rib cage. These joint relationships are quite normal when you do a “seated row” with your elbows close in. If the hands are wider in chaturanga the shoulder blades are less likely to be in upward tilt and more likely to just be retracted. If you don’t follow this, don’t worry. Just know that the shoulder blades tend to move in specific ways when the arms move, and the video above will give you the visual of these actions. Let’s keep it simple – the shoulder blades are retracted when in the bent elbow position. In order to slow down the movement, you would have to try to protract your shoulder blades – move them apart – as if you were trying to push back up to plank pose. In the video above there is a great visual of my shoulder blades moving from retraction to protraction at the 4 minute mark. Just like the elbow joint, we can look at the shoulder blades and say the structural alignment is retraction, but the muscle action is the opposite – we are trying to protract the shoulder blades – this is what slows down or stops the movement at the scapula. In the video I use a term that I created for my Mentorship Mastery students, and have now integrated into my new yoga system called Chromatic Yoga. This term is called a Balancing Action – an engagement of the muscular system that opposes the structural alignment. When we engage the triceps while the elbow is bent, this is a “Balancing Action.” The primary muscles that create protraction are the Seratus Anterior. If the shoulder blades are retracted and we activate these muscles, then again this would be called a Balancing Action.

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    ARM BALANCES

    Learn 12+ arm balances while expanding your knowledge of the body and increasing your body awareness. All classes are 75 minutes and ALL-levels appropriate 

    • Crow Pose, Side Crow, and variations
    • Flying Pigeon, Koundinyasana 1 & 2
    • Titibhasana, Bhujapidasana
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    Step 1 - External Rotation of Arms

    To stabilize the arms in chaturanga, external rotation is highly effective. The arms will tend to internally rotate due to the activation of the pectoral major muscles. If we keep the pectoral major activated and oppose it with the external rotators of our rotator cuff group, then we create oppositional stability. Engaging two opposing muscle groups at the same time is not easy. It takes effort and coordination, however it is absolutely possible. In the above picture you see my biceps are facing out and hands are out as a result of that rotation. When the hands are on the ground they can’t move, so when you externally rotate, the elbows will come inward. My suggestion is elbows vertical over the wrists, not touching your rib cage. Bonus- this often takes pressure off of the outer wrist

    Step 2: Depression of the Scapula

    One way to stabilize the shoulder blades is to depress them down the back. In addition to stability, this provides the added benefit of potentially relaxing the pectoral minor muscle which tends to get over used and abused from repetitive chaturangas. Depression of the scapula can be quite challenging if you are not a climber or actively work your lower trapezius and latissimus muscles. Our shoulder blades are often resting downward, but that is due to gravity, not strength. When depressing the shoulder blades be sure to think from the back muscles, because it is easy to press the front of your shoulder down the front of your chest resulting in upward tilt of the scapula as mentioned in the above video. Depression of the scapula can prevent upward tilt if done properly.

    Step 3: Protraction

    Separating the shoulder blades away from one another and around the rib cage creates stability and resistance against gravity. While you will likely still be in retraction of your scapula in chaturanga, I am suggesting to actively resist in order to hold the posture or slow down the descent. This takes a tremendous amount of body awareness, so it is highly beneficial to practice this in postures like plank and forearm plank. These two postures have a fixed elbow joint making it easier to feel just the action of protraction. Also see Chaturanga Part 2 in order to learn how develop the body awareness necessary for this action. One tip I will offer is that it helps to think of puffing up the upper back. You may wind up activating the abdominals which can inadvertently support protraction.

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    What is Next?

    The best thing you can do for yourself when attaining new knowledge is to find ways to integrate it. Through the integration process you can develop proficiency of the techniques which allows you to access them on demand and in more postures. How do you integrate them? This was a common question that came up after this video was released. I created a free follow up blog to support you in this adventure! Part 2 of this blog gives you 3 exercises to practice in order to become familiar with the actions so you can apply them to your practice of chaturanga. Thanks for stopping by, and please share this blog with others who you feel would benefit!

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    Arm Balances

    ARM BALANCES

    Learn 12+ arm balances while expanding your knowledge of the body and increasing your body awareness. All classes are 75 minutes and ALL-levels appropriate 

    • Crow Pose, Side Crow, and variations
    • Flying Pigeon, Koundinyasana 1 & 2
    • Titibhasana, Bhujapidasana
    • Handstand, Forearm Stand, and many more!

     

    SALE PRICE: $198.00 $128.00

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    The Key To Arm Balances

    The Key to arm Balances

    Learn the secret to balancing on your hands

     

    The Secret is Simple

    Finding ease in arm balances can seem like a mystery and it can be frustrating to figure them out while struggling to breathe in positions that feel constricting. The secret to arm balances is simple, but it is not always easy to put into action. Picture a balance scale, the old-fashioned kind. When both sides are even, the scale is “balanced.” There is no difference between a balance scale and your body, but it’s visually harder to understand. The center of the scale is where your hand meets your wrists.

    Let’s think about crow pose for a moment. You will see in the picture to the right (or below if you’re on mobile or a tablet) a red line to show you where the shaft of a balance scale would be. I call the hips and legs the “back side” of the pose, and the heart and head the “front side.” In order for the back and front side to be equal we must lean forward quite a bit. This presents a bit of fear for many yogis, and for a good reason! You could easily lean too far, too fast. This is why it’s important to build strength in your fingers and wrists. The primary muscles that stop the body from leaning too far are the flexors of the wrists and fingers. I call these muscles “The Breaks,” and much like driving any vehicle, you will not feel safe without them! For this reason alone it’s super important to strengthen the breaks so that you build trust in yourself. As your trust builds, you will be willing to lean forward more and more into the strength of your wrists.  In my Handstand Training video, I provide some of my top exercises for “the breaks.”

    When most people first try to lean forward they actually tend to sink, softening the elbow joints and melting the shoulder blades toward each other. This will make the posture heavy and will actually make it harder to balance. To be sure you aren’t doing this, film yourself or better yet find a teacher or friend to support you with visual coaching.

    yoga arm balance with goats
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    online classes for anatomy of arm balances

    ANATOMY OF ARM BALANCES

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    yoga pose all 4's wrist strengthener

    Step 1 - All Fours with a Block

    First work with a block behind the forearms on all fours. To be clear this is a deep extension of the wrist, so be mindful. If you feel that your muscles are straining, back the block up an inch. The idea here is to grip the ground with your fingers which will activate the flexor muscles. Because the hand is in extension, the flexor muscles are elongated significantly, so gripping the ground could prove to be challenging.

    chaturanga with block for wrist strength

    Step 2: Chaturanga with a block

    The next step is to work on lowering from plank to chaturanga with the block directly behind the forearm. I recommend only going down a few inches and trying to hold. You will notice that in my chaturanga and crow pose my elbows are only slightly bent. This will make it easier to stay lifted and light. The same is true for the fingers; keep gripping the ground! To Strengthen your wrist, I highly recommend Handstand Training

    crow pose wrist strength and balance

    Step 3: Crow Pose

    Crow pose is significantly more challenging, so if this is new for you be sure to work with a teacher first (and a landing cushion would be an intelligent choice if you ask me). Apply the same action but go slower. Grip the ground and apply the breaks, then lean into that resistance. If you are more proficient in arm balances, you can try this in a posture like Ekapada Koundenyasana 2  or flying pigeon.

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    Avoiding Wrist Pain

    Wrist pain is common when people first start their yoga practice or arm balance practice. That doesn’t mean it’s a good thing, but it probably means the muscles that surround the joint are not strong and probably not balanced. The wrists are not a muscle you can simply work really hard a few times and see positive results. More likely you will strain the muscles if you go that route. Instead spend small amounts of time practicing these exercises but do them often. This is how I train my own wrists and I have had much success with feeling good over the course of 12 plus years of practicing handstands and arm balances.

    Thank you for reading and watching! if you have questions, comments or requests please share them here!

    -Matt

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