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APPROACHING DRAGONFLY POSE

Breaking it down into little pieces is the key to making this intricate and challenging pose less intimidating. If your body is not “ready/prepared/able” to combine the hip opening, spinal rotation, and arm balance all at once, you can explore the many variations Matt offers in today’s video. Exploring these variations is the perfect opportunity to kinesthetically learn and integrate the patterns for the pose in your body. With each step, more than just making the shape, you are strengthening the appropriate muscle groups in order to eventually find a more equal balance of both ease and flexibility in Dragonfly. In the full class from which this video is extracted, Matt reminds you that it’s not about making the pose easy, it’s about creating integrity during the execution. For example, if you are extremely flexible and/or hypermobile, you can make Dragonfly more sturdy with the right muscular activations.

WATCH THE VIDEO

DRAGONFLY POSE: TECHNIQUES FOR HIPS & ARM BALANCES

TAKE IT DOWN

Creating these activations requires a generous level of exertion, making it effortful rather than easy.

In the first variation that Matt demonstrates, he removes the arm balance and takes you all the way down onto your mat. After creating the initial shape, he then introduces the use of a yoga block to assist in strengthening your adductors and hip flexors. While practicing the steps to develop strength, you acquire a deeper connection to and understanding of your body. You’ll find out where you already feel strong versus where you may need to spend more time building strength.

There are also a number of “tiny” actions that you can practice without the intensity of the arm balance component. The flexion and direction of your feet, for example, can greatly affect your ability to maintain the positioning of the top leg in Dragonfly Pose.

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STANDING VERSUS SEATED DRAGONFLY POSE

What’s incredible here is the variety of options Matt offers in standing and seated Dragonfly.

Standing Dragonfly

In the first option, he layers the spinal rotation element on top of the hip opening. You also begin to introduce more of a balance component since you are standing on one leg in a “Figure 4” position.

The final standing variation is done at the wall, through which a certain degree of balance is dialed back; however, the connection to the arm balance can begin here.

Seated Dragonfly

While seated in a chair, you again create the Figure 4 position, along with the spinal rotation. When you’re ready to progress to the arm balance, Matt demonstrates how to use the edge of a chair. Your chair plays a vital role in that the height must be just right so as not to place too much pressure on your hip.

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BEGIN AT THE END

Part of Chromatic yoga is looking at the “end point” (in this case Dragonfly Pose) so that you can work backwards by analyzing all of the necessary pieces to work through and explore. It’s the “shooting for the moon,” if you will. What ultimately happens as you explore and prepare your body is that you discover a great deal about your physical and mental self. You end up “landing among the stars.” You find out how you react/respond once you are faced with a physical challenge while exploring a posture. Do you work through it, or is your instinct to run? You also discover what physical actions you need to take to break through and achieve your fullest potential.

Register for Matt’s Chromatic Yoga Immersion to transform your relationship to your yoga practice so that you open the door to new possibilities.

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Article by Trish Curling

Videos Extracted From: Flow & Fly Immersion

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Bound Side Angle

by Trisha Curling | Sep 27, 2023 | Main Page Display

Bound Side Angle

2 Variations To Open Up Your Shoulders

expand

BOUND SIDE ANGLE

You might either approach Bound Side Angle with excitement or with a sense of fear. If you adopt a certain perspective, it’s possible for the word “bound” to evoke a sense of freedom in the context of yoga. In postures like Bound Side Angle, openness is required not just in the shoulders but also in the hips. While on one hand, yes, the posture can seem limiting and closed (especially if there are constrictions due to pain or injury); on the other hand, through the use of props and specific articulations, there are ways to access increased shoulder mobility. In today’s video, Matt offers very explicit actions you can take to acquire more flexibility and strength. What you’ll also find is that the connection you gain to the rest of your body ultimately creates a positive influence on your ability to find more opening.

CHROMATIC YOGA

OCTOBER 2023 15Hr. Immersion

12 Chromatic Yoga practices with founder Matt Giordano
Full-spectrum immersion covering all posture categories
Improve your body awareness and advance your practice
Technique, biomechanics, and alignment at the forefront
Life-enhancing and inspirational Chromatic philosophy woven through each class
15 Continuing Education hours with Yoga Alliance
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Step-by-step instruction for increased accessibility
Improve strength, balance, flexibility, and proprioception
Appropriate variations and modifications for all levels

~~$168.00~~ $138.00

MUCH MORE THAN YOUR SHOULDERS

It’s easy to prioritize the amount of mobility required in your shoulders for this posture, which is necessary, but there is more that requires your attention. Once you learn about what Chromatic Yoga is all about, you come into a more expansive awareness of your whole self—body and mind. Within your practice, this awareness is expressed as an informed exploration. This means that you begin to learn that certain movements or actions will alter your access and experience in a posture.

Let’s examine what’s involved with the hips. There is a generous amount of abduction required, demanding a high degree of flexibility and strength in the adductor muscles. The wider the stance, the “easier” it will be to access the bind. In the video and discussion below, you’ll see how this supports your ability to find more shoulder mobility.

WATCH THE VIDEO

BOUND SIDE ANGLE: 2 VARIATIONS TO OPEN UP YOUR SHOULDERS

BOUND SIDE ANGLE TECHNIQUES WITH A BLOCK

When setting up Bound Side Angle, some of the first cues Matt offers in the video are “hips back, groins back.” Emphasis on the positioning of your hips is addressed quite early. Taking these actions can immediately make way for increased space for you to drop your torso as low as possible. If the attempt to lower your upper body to a greater degree feels too ambitious, Matt suggests placing a block underneath your front foot. You can see how this elevation brings your inner knee closer to the back of your shoulder, which can allow more freedom for your arm to go underneath your inner thigh.

That being said, it is also the articulation of the shoulder joint that impacts your ability to wrap around for the bind. More protraction of the scapulae and internal rotation of the shoulders will assist you in getting your arm behind you.

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BOUND SIDE ANGLE WITH A STRAP

In both variations, once you have the security of the clasp, of your hands or with a strap, you can begin to lift. There are still actions that need to take place before you invite in the shoulder articulations for expansion. Creating a posterior tilt in your pelvis will set off the action of pulling your shoulders back, therefore lifting the chest up.

Practicing all of this with a strap may at first appear to be less arduous than without one. Matt notes that it may actually be more challenging in the sense that it provides increased range of motion in the shoulders. For this reason, it’s important to be aware of the muscle activations that will create an underpinning of strength to support the flexibility. Activating muscles like the rear deltoids and the erector spinae (for spinal support), along with the glutes and adductors, will substantially bolster the integrity of this posture.

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THE ENTIRE SCOPE

As the saying goes, “You can throw spaghetti at the wall and see what sticks,” or in terms of yoga, you can arm yourself with education to gain more distinct results. The beauty of Chromatic yoga is that Matt articulates the alignment and biomechanics of each posture with absolute precision. This allows you to make informed choices regarding your practice: At any given time, you’ll have multiple opportunities to select which variations and modifications are appropriate for you. Through practice and repetition, you’ll experience a transformation within your physical body. What you’ll also learn is how to adopt and integrate the philosophical teachings of yoga into multiple areas of your life. Bound Side Angle pose may be a physical posture, but when you are open to the entire scope of what’s available to you within it, your potential is limitless.

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Article by Trish Curling

Videos Extracted From: Shoulder Revelation Immersion

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Dancer Pose

by Trisha Curling | Sep 21, 2023 | Main Page Display

Dancer Pose

The Chromatic Way

natarajasana

DANCER POSE

Dancer Pose is the kind of posture that embodies both grace and strength. In order to integrate these two things into your practice of this posture, there are quite a number of pieces of the puzzle to consider. You might argue that the “grace” portion of the pose comes from its heart-opening shape, while the strength comes from all that goes into finding balance. There are other components that comprise both. The journey of discovering these elements becomes quite profound and rewarding when you follow Matt’s Chromatic approach. In today’s video, you’ll witness techniques that support your development and observe how the “Chromatic way” is implemented to create deeper awareness and transformation. Dancer Pose, along with other “preparatory postures,” becomes more accessible in your practice.

CHROMATIC YOGA

OCTOBER 2023 15Hr. Immersion

12 Chromatic Yoga practices with founder Matt Giordano
Full-spectrum immersion covering all posture categories
Improve your body awareness and advance your practice
Technique, biomechanics, and alignment at the forefront
Life-enhancing and inspirational Chromatic philosophy woven through each class
15 Continuing Education hours with Yoga Alliance
15 Accredited Hours with the Chromatic School of Yoga
Step-by-step instruction for increased accessibility
Improve strength, balance, flexibility, and proprioception
Appropriate variations and modifications for all levels

~~$168.00~~ $138.00

WHAT IS CHROMATIC YOGA?

Before we look at Dancer Pose, let’s delve into what Chromatic Yoga actually means: “Chromatic Yoga is a systematic approach to teaching that provides a highly intentional and purposeful experience for students to cultivate awareness of their body and mind.” (Extracted from Matt’s 300 Hr. Teacher Training)

What does this look like in your physical yoga practice? In a well-developed class or practice, you’ll start by laying a foundation. This can be done by focusing on specific actions in “foundational postures” and/or shapes. This sets the stage and prepares your body for a “peak posture.” Each movement is executed with a specific intention. Remaining focused on these intentions helps you create more awareness of how you move and where you may need to add or edit a particular action. Everything is broken down, simplified, and repeated to support you in realizing your fullest potential.

WATCH THE VIDEO

DANCER POSE: THE CHROMATIC WAY

START HERE

Dancer Pose is a heart opener and a balance posture all in one. Creating the shape of a heart opener requires that you create the action of retracting the scapulae; when done with well-placed effort, this will activate the rhomboids and lower trapezius. Matt demonstrates how to pattern this activation in Upward-Facing Dog. In today’s video, you’ll see that after retracting your scapulae and externally rotating the humerus on each side, you create more space for your chest to move forward. When you lift your rib cage up and out, you create more length and opening in your front body. These are all key actions to start with in order to find more heart space in Dancer Pose. This patterning continues in Twisted Monkey and in Tiger Pose. What you also see are the necessary actions in the pelvis and the activations that promote the lengthening required in the hip flexors and quadriceps.

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DANCER POSE AT THE WALL

If you’ve worked through these progressions, your body is more physically prepared for the next steps. This variation of Dancer Pose is great because it reduces the effort required to stay balanced if you want to be more focused on the backbend and the movement of the pelvis. Here, Matt demonstrates the dance (pun intended) between the movement of the pelvis (more anterior tilt), which assists in lifting the back leg further up, and the action of increased external rotation of the shoulder. Once you have tipped forward with more anterior tilt, Matt advises you to lift your chest up on an inhale in order to expand through your front body. Going back and forth between these actions promotes greater opening altogether. The activation of the quadriceps and hip flexors is continued by pressing your foot into your hand and vice versa.

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FIND YOUR BALANCE

The repetition of the actions created throughout the previous postures boosts your ability to find more balance in Dancer Pose. The same exchange between tipping forward and lifting up the chest, plus a greater awareness of the internal rotation of the lifted leg, will assist in cultivating more stability.

The definition of finding your balance goes beyond just taking Dancer Pose away from the wall. From a Chromatic Yoga perspective, it also means that in the process of exploring the biomechanics of a posture, you are learning more about your body and mind. Maybe there are vast differences between one side of the body and the other, or maybe there is room for a shift in your thought process during your practice. This can go in multiple directions! Ultimately, the relationship you build with yourself and your practice as a whole is completely transformed when you adopt the Chromatic way.

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Article by Trish Curling

Video Extracted From: Vinyasa Immersion

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Eka Pada Urdhva Dhanurasana

by Trisha Curling | Aug 24, 2023 | Main Page Display

Eka Pada Urdhva Dhanurasana

Where to Induce Strength

back line strength

EKA PADA URDHVA DHANURASANA

There’s no doubt that back-line strength (more specifically, strength from the gluteus maximus, hamstrings, and erector spinae) is a requirement to elevate your hips off of your yoga mat in Urdhva Dhanurasana. Moreover, when the element of the lifted leg in Eka Pada Urdhva Dhanurasana is added, the awareness of where to distribute your strength becomes heightened—you need to consider the strength to elevate your hips, and there’s a requirement to induce strength from the quadriceps and hip flexors in the lifted leg. The demand from the back line increases because you are relying on sustaining the elevation from one side of your body. In today’s video, you’ll see how Matt and his wife Rebecca Rasmussen (@dancinbecca) demonstrate exactly where and how to maximize your body’s ability to cultivate strength for this masterful posture.

ANATOMY OF THE HEART

JUNE 2022 Immersion

Technique to expand and deepen your backbends
Foundations and preparatory postures to set you up for success
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Themes to cultivate the appropriate mindset for heart opening
12 Classes: 6 focused on anatomy, 6 themed for the heart
Unlock a wide range of postures including: Bow Pose, Camel, Full Wheel, King Dancer, King Cobra, King Pigeon, and more
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INSIDE THE ANATOMY

In the top leg, the hip flexor muscles involved in pulling your leg towards your chest include the rectus femoris, sartorius, iliacus, psoas major, pectineus, and TFL. It’s important to understand the relationship between the strength of these muscles and how they oppose the tension of the glutes and hamstrings in the same leg. This tension will reveal itself even more when you attempt to straighten your leg, which also activates the quadriceps. Along with the weight of gravity, the tension will attempt to pull your leg away from your chest. Matt advises you to prioritize strengthening your hip flexors to draw the leg closer to your chest, rather than attempting to straighten your leg and allowing it to drift away. Opting to prioritize your hip flexors here simply means that you are stepping into the opportunity to increase strength rather than chasing the aesthetic.

WATCH THE VIDEO

EKA PADA URDHVA DHANURASANA: WHERE TO INDUCE STRENGTH

BRIDGE POSE AS YOUR BASE

As always, Matt’s Chromatic approach helps to pattern and prepare your body for each progression. In Bridge Pose, you’ll see the importance of generating strength from your feet: In order to light up the power in your glutes, you press down through your inner heels and the “three points of your feet” (big toe, pinky toe, and heel). With your glutes, hamstrings, and adductor magnus activated, you’ll have enough strength to lift your hips up. Another of Matt’s tips is to feel as though you are pushing your feet away from you on the diagonal. This will help to activate your quadriceps, which translates to even more hip height. Once you’ve explored here, you can layer on the lifted leg in Bridge Pose. This variation allows you to practice taking your top leg closer to your chest in a more controlled position.

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WHEEL POSE PROGRESSION

As you progress towards Wheel Pose, you carry the same patterning you cultivated in Bridge (e.g., pressing through your heels). In Wheel, however, more awareness of the positioning of your hands, shoulder blades, and spine become vital. Before you even lift off of the ground, it’s important to create more extension in your spine, which you can initiate with an anterior tilt of your pelvis. In today’s video, Rebecca demonstrates the Wheel Pose setup as Matt cues specific articulations. With her hands wider than shoulder width, she presses up onto her head first, in order to draw her shoulder blades in closer before elevating even further. Drawing your shoulder blades closer towards one another will open the chest further, allowing you to press your chest in the direction of your fingertips and thus create a deeper heart opener.

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PROMOTE THE PUSH

Beyond understanding where to push into your hands and feet for elevation, you can encourage a push into an imaginary wall for the foot of your top leg. Pushing into the sky offers a completely transformative experience in Eka Pada Urdhva Dhanurasana. If you are working with someone (like Matt and Rebecca are in the video), you can utilize the resistance of your partner pushing into the foot or thigh of your top leg to fire up your hip flexors. If increasing strength is your goal, incorporating these actions will get you there sooner. Additionally, when you have a deeper understanding of the anatomy, it’s easier to know where to induce strength.

Sign up for Matt’s Yoga Anatomy Course Waitlist and build a closer relationship with yourself and your body via anatomy and your yoga practice.

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Article by Trish Curling

Video Extracted From: Anatomy of the Heart

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Bound Side Angle

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Utthita Hasta Padangusthasana B

Standing Nose To Shin

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Utthita Hasta Padangusthasana B

by Trisha Curling | Aug 9, 2023 | Main Page Display

Utthita Hasta Padangusthasana B

Increase Your Range of Motion

FLEXIBILITY BOOST

UTTHITA HASTA PADANGUSTHASANA B

In my previous blog, we looked at how Matt prepares you for Standing Nose to Shin (Utthita Hasta Padangusthasana A). Although there are multiple similarities in regard to preparation between that posture and today’s (Utthita Hasta Padangusthasana B), there are obviously other points of consideration due to both the change in positioning of the top leg and the differences in the shape of the torso. What you can rely on is how Matt develops a clear narrative for you to follow. The buildup to a posture is like reading a book with first-rate plot development. The variations offered in today’s video include all of the vital elements (rising action/muscular preparation, climax/execution of the posture, falling action/the lessons learned and deeper understanding of your body, and resolution/reflection and awareness of how to approach the posture with physical and mental intelligence.

THE SPLITS

Improve flexibility of hamstrings, adductors, hip flexors, and glutes
Hanumanasana Splits
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Standing Splits / Ekapadasana
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START WITH STRENGTH

To approach Utthita Hasta Padangusthasana B with intelligence, you have to start with strength. Accepting this methodology means that increased range of motion is within your grasp. If you’ve practiced with Matt before, then you understand that the development of improved range of motion includes both strength and flexibility. Part of the rising action in today’s narrative is the cultivating of outer hip strength for both stability in the standing leg and active mobility in the top leg. To this end, Matt demonstrates a drill where you’re in a Tabletop position while repeatedly lifting/abducting one leg. In this drill, paying attention to the articulation of your pelvis (anterior tilt) and the positioning of the knee of the lifted leg (going directly out to the side and not trailing behind) is the difference between actually targeting the outer hip muscles effectively and just mindlessly going through the motions.

WATCH THE VIDEO

UTTHITA HASTA PADANGUSTHASANA B: INCREASE YOUR RANGE OF MOTION

STANDING KNEE BEND

Once strength has been addressed as part of the foundation for this posture, moving towards the exploration of increased range of motion in your hips becomes possible. Here, Matt offers variations of Utthita Hasta Padangusthasana B that begin to lead you towards the climax (the potential of the pose that exists within your body).

Matt reveals that in a standing position, beyond the requirement of hip flexion and hamstring flexibility in the standing leg, you can actually increase your range of motion first by squeezing in the hip of the standing leg while creating a lateral tilt in your pelvis. This lateral tilt automatically sends the top leg higher. Immediately, you reduce the amount of constriction of hip flexion from the top leg. Maintaining a bent knee in the top leg also allows you to explore the pose with less demand on the hamstrings and adductors.

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HALF MOON POSE LEG LIFTS

In the previous step, you also begin to foster a development of lateral flexion of the spine along with strength in the obliques and quadratus lumborum (QL) to support the lateral tilt of the pelvis when you’re upright in Utthita Hasta Padangusthasana B. In today’s video, Matt nurtures this with his “Half Moon Pose leg lifts” drill. Although this drill continues to develop strength in the outer hips, it also generates strength in the obliques and QL because you are lifting (abducting) the top leg beyond a neutral position. Additionally, just because the standing leg is static doesn’t mean that it’s inactive. You can still intentionally create abduction of the bottom leg. Together, these actions translate directly into a sense of stability in the torso, which comes from strong oblique and QL muscles.

300 HOUR ONLINE TEACHER TRAINING

GET 500 HOUR CERTIFIED AS A MASTER TEACHER

Master your skill set as a teacher through refined techniques, anatomy, biomechanics, sequencing, philosophy, meditation techniques, theming, yoga business, and much more!

Get 500 hour certified
Learn anatomy, biomechanics, asana techniques
Expand your teaching skills
Masterful sequencing and verbal delivery
Learn meditation and breathwork techniques
Transformative tools: theming, dharma talks, satsang

The 200 Hr. Teacher Training: Click Here to See the Next Start Date

VARIATIONS AT THE WALL

Matt keeps you at the edge of your seat as he unfolds what’s possible. First, he offers a drill that assists in mastering the lateral tilt of the pelvis. He also demonstrates more than one access point into Utthita Hasta Padangusthasana B. Matt explains that if you have any hamstring and/or adductor concerns in regard to flexibility, it might be safer to straighten your top leg to its potential before tilting the pelvis. On the other hand, you can opt to tilt your pelvis first and then straighten. Further, you can create a Compass-like variation where you’re gearing towards increased lateral flexion in the spine in order to grab the outer top foot.

Exploring all of these variations guides you towards not only resolutions that are long-lasting within your physical body but also greater discernment within your mind when it comes to approaching your practice more holistically.

You can gain deeper insight into Matt’s Chromatic methodology within the “chapters” of his 200 & 300 Hour Teacher Training courses.

The 300 Hr. Advanced Teacher Training: Click Here to See the Next Start Date

Article by Trish Curling

Video Extracted From: Splits Immersion

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Standing Nose To Shin

by Trisha Curling | Jul 27, 2023 | Main Page Display

Standing Nose to Shin

Variations for a Solid Foundation

strength

STANDING NOSE TO SHIN

Standing Nose to Shin is an exceptional preparatory posture for Hanumanasana, or Splits Pose, but it is an equally profound posture on its own. It also requires thoughtful preparation, particularly when considering how to optimize the prominent muscle groups that are involved. Your hamstrings, glutes, hip flexors, quadriceps, back muscles, and calf muscles are just some of the highlighted areas of the body that require attention for you to realize your full potential in the pose. In today’s video, Matt lays out the path to increased strength, flexibility, and mobility via these 5 preparatory variations of Standing Nose to Shin. What you’ll see are ways to intelligently break down the posture into bite-sized pieces by attempting them in different planes. Working through these variations is not solely a gateway to the posture but an entrance to amplified body balance.

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HAMSTRING, HIP FLEXOR, AND QUAD ACTIVATION

Both palpitation and the use of your own body as a prop are great tools in your yoga practice. In the first variation, Matt has you lace your fingers to grasp underneath the belly of your hamstring. Doing this will allow you to gain a deeper understanding of both the strength and stretch sensation in that area of your body. Pressing down into your hands creates an activation. Once you extend your leg, you’ll initiate the technique of reciprocal inhibition—activating the opposing muscle of the one you’re lengthening. In this case, your quadriceps activate while your hamstrings lengthen. This is important because it helps minimize the potential for overstretching the hamstrings.

Getting your hip flexors more involved means letting go of the grip on your hamstrings and allowing your extended leg to do the work of opposing gravity.

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STANDING NOSE TO SHIN: 5 VARIATIONS FOR A SOLID FOUNDATION

STANDING SINGLE LEG AT THE WALL

Using a wall as a prop doesn’t mean that it’s an opportunity to neglect the required muscle activation to prepare for Standing Nose to Shin. This variation is the training ground for the anterior tilt of the pelvis that encourages an increased range of motion. Matt reminds you that even though you fold forward in the final variation, there is still an incorporation of the pelvic tilt.

Along with this pelvic tilt is a lifting of the heart and a backbend, which help you strengthen and activate in order to prepare for the fold in the final variation.

Another important action for the final variation is the dorsiflexion of your foot. What’s taking place here is the strengthening and intentional activation of the tibialis anterior.

As you create these activations, the hamstrings can become more vulnerable, so it’s important to stay in tune with the sensations that are taking place there.

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STANDING SPLITS AT THE WALL

This variation is interesting, because even though you are going more with gravity, there is still opportunity to activate, activate, activate! There’s continued emphasis on activating your quads and glute muscles. As regards the top leg, it’s almost as if you’re trying to lift your leg off of the wall with the glute activation. Doing this mimics the position of the standing leg when you “turn the pose upside down” by standing right side up.

Here, you can also welcome in the deeper fold towards the standing leg. In order to protect the hamstring of the standing leg, you tuck the same-side sit bone while taking your face closer to your shin. Tucking your tailbone produces an activation of the hamstrings and glutes (facilitated stretch) to keep the sit-bone attachment safe.

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