Bird Of Paradise

Bird of Paradise

Svarga Dvijasana

BIRD OF PARADISE

In Bird of Paradise, we’re balancing while binding, which can be quite an undertaking. Preparation for this posture requires shoulder mobility, hip mobility, and a tremendous amount of strength. What we also need to be cognizant of is how we are slowly building it from the ground up. Beyond going slowly, it’s very much about the techniques we implement for safe execution, from the feet all the way up into the hips and shoulders. 

Another integral part of our yoga practice is the embodiment of vairagya. As much as we place effort and consistency into the techniques as we move towards Bird of Paradise, we must still remain laser focused on the detachment from the results. It’s the process and journey of learning that teaches us the most. Let’s explore the technique process Matt teaches to nurture our practice as a whole.

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BOUND SIDE-ANGLE VARIATIONS

The Traditional Variation

One of the most alluring things about this setup is that the internal rotation actually initiates the access to the bind. With the torso low to the ground, internally rotating the shoulder is what allows the lower arm to have more freedom to move. This movement helps us find the bind or the clasp. From there, we can scoop the tailbone under while moving slowly into a backbend and then gradually implementing the external rotation in the shoulders that is required to open the chest.

Bound Side-Angle Standing at the Wall     

Even though this variation is on one leg, we’re still minimizing the balance element. Using the articulations from the previous variation, we are more mindful of the forward force from the hip of the standing leg. It’s common to thrust it forward, but we actually need to pull it back.

 

WATCH THE VIDEO

BIRD OF PARADISE: BEND, BIND & BALANCE

GET A LITTLE CLOSER

Now we start to consider how to prepare for more balance in Bird of Paradise. In the video, Matt begins at the wall in the Bound Side-Angle variation. This time, we gradually take the bottom foot closer to the wall. This creates more stability for us to balance on the standing leg. Next, we lean away from the wall and begin to point the toes of the top foot, which also shifts our stance to become more upright. This may also reveal any pressure or punching forward of the shoulders, in particular the shoulder that is in front of the top leg.

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GET UP FROM A CHAIR

If we are feeling the urge to force ourselves into the shape, this is where we can back off and explore other options for entry.  

Bending at the hips while placing the top leg on a chair can help us to work on the connection of the shoulder and the inner knee. It’s imperative to bring them close together, but doing so requires a generous amount of hip opening.  Picking the leg up from the height of the chair may provide increased accessibility.  

For better balance, bending the knee of the standing leg can increase stability.

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KEEP IT TIGHT

Part of negotiating the dance between the balance and the bind is deciding where to place our focus and attention. Do we need to work on hip mobility more than shoulder mobility? Is it the other way around? Maybe it’s both? Any given practice can reveal what we actually need, so it’s important to stay in tune with what our bodies are telling us. 

No matter what, deep hip flexion is required so that we keep it tight between the top leg and the shoulder that’s on the same side.  

In the video, we see that the shoulder is pulled down into more internal rotation. We need the opposite action if we sacrifice the tight closure just to be able to extend the top leg.  

If we slowly work on where to bend, we can then bind and ultimately balance, one step at a time.

Take your practice to the next level! Registration for Matt’s 200 & 300 Hr. Teacher Training is now open.

The 200 Hr. Teacher Training: Click Here to See the Next Start Date

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Article by Trish Curling

Video Extracted From: Shoulder Mobility Immersion

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A Tree Pose Treatment

A Tree Pose Treatment

Vrksasana

A TREE POSE TREATMENT

Tree Pose may appear to be a posture we can just “jump into” because of its “accessibility” from anywhere we might be standing, but it definitely requires more refinement than we might think. A treatment to revive its health is to infuse all of the larger muscles and all of the smaller refinement muscles with strength, creating stability in the pose. The two key areas that support the treatment of Tree Pose are the hamstrings and pelvis. Understanding how to express the alignment and articulations in our bodies will transform how we execute this standing balance posture.

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CHROMATIC GLOBAL TRAINING

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  • Solve the "Yoga Teacher's Daily Grind"
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  • Get personalized feedback and support
  • Learn anatomical sequencing and verbal cues
  • Clear and impactful visual demonstration
  • Strategic workshop design and sell out your events
  • Become a Certified Chromatic Teacher
  • Room for future growth: lead Chromatic Yoga Immersions and Trainings

GIVE IT A SQUEEZE

Firmly planting the foot of the bent leg of Tree Pose into the adductors of the standing leg, along with a lift up towards the groin, might be difficult without enough strength in the hamstrings of the bent leg. One of the ways to develop this strength in Tree Pose is to place a sock or massage ball behind the knee. Squeezing the ball between the hamstrings and the calf muscles will help with the sensation of activating the hamstrings. In the video, Matt also demonstrates that although it might be challenging to lock the foot in place as previously mentioned, this action may still be easier than taking the foot away while maintaining the squeeze of the ball. This is how we can challenge ourselves: by removing the friction.

 

WATCH THE VIDEO

A TREE POSE TREATMENT: FOCUS ON THE HAMSTRINGS & PELVIS

PELVIC & SPINAL ALIGNMENT

Part of the treatment in Tree Pose is to examine pelvic and spinal alignment. First, we must recognize that this is an asymmetrical posture. In the setup, lifting the leg and placing the foot into the adductors automatically sets the pelvis in a slightly asymmetrical position. Hugging in the hip of the standing leg can set us on a path to negotiate our intention in Tree Pose at any given time. The result of the hugging in is a lift of the pelvis on the side of the bent leg, which takes the spine off center. Now, we can make a choice. We can keep a straight spine, which makes the upper part of the posture more diagonal, or we can side bend to make the pose more upright.

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RELY ON THE LARGER MUSCLES

It’s extremely important to hug in the hip of the standing leg to cultivate more stability. Additionally, when we execute articulations like this, we pattern the brain and body to rely on the larger muscles. These muscles will assist in sealing in balance in Tree Pose.  

A common occurrence, however, is that when balancing on one foot, we can get caught up in trying to place all of the weight of the balance into the ankles. Distributing some of the responsibility into bigger muscles, like the gluteus medius, gluteus minimus, and the tensor fasciae latae (TFL) of the thigh, will provide the support needed to take further action. The actions that follow completely transform our ability to remain stable and secure, yet more at ease with our ability in the posture.

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GO AHEAD AND REFINE

Tiny refinements act as a foundation beneath the frame of the larger setup.  

Here are some key actions Matt demonstrates to fine-tune Tree Pose:

  • Move the inner thigh bone of the standing leg back
  • On the same side, draw the sit bone down towards the heel
  • Implement the 3 Points of the Feet: Press the big toe, pinky toe, and heel down into the ground
  • Slightly close the pelvis on the side of the bent knee

These refinements work in conjunction with the larger outer hip muscles for maximum balance in Tree Pose.

Learning and implementing articulations like these enrich our practice.  

Matt’s next cohort of 200 & 300 Hr. Teacher Training begins in October.  Registration is open if you’re ready to take action and level up your practice.

The 200 Hr. Teacher Training: Click Here to See the Next Start Date

The 300 Hr. Advanced Teacher Training: Click Here to See the Next Start Date

Article by Trish Curling

Videos Extracted From: Lotus Immersion & Alignment Immersion

lotus pose online yoga classes

ONLINE ANATOMY COURSE

  • Accessible, exciting, and easy to learn
  • Anatomy and biomechanics for yoga
  • Appropriate for both teachers and students
  • Learn joint alignment vs pose alignment
  • Demystify yoga poses and transitions
  • Release aches and pains
  • Learn how to avoid common injuries
  • Caters to all levels with modifications and props
  • 20 hours Continued Education Credits with Yoga Alliance
  • 20 hours toward Chromatic Yoga Certification and 300 Hour
  • Lifetime access

Continue Learning

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read more

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  • This field is for validation purposes and should be left unchanged.

Practice Peacock Pose

Practice Peacock Pose

Mayurasana

PRACTICE PEACOCK POSE

We go to our yoga practice for many different reasons at any given time. In our asana practice, we are sometimes seeking softness and ease. At other times, we might be striving for vigour and strength. Peacock Pose is for when we are in pursuit of the latter. The full pose requires an ample amount of strength, but it will equally build strength if we are not yet at that point. Taking steps to practice Peacock Pose means we are ready to jump into the fire of what this arm balance posture has to offer.  

With regard to arm balances, Matt teaches us the concept of “lean, resist, push.” This is what guides us to ultimately finding our balance. The same concept exists in Peacock Pose, except that we must approach the “resist” portion differently. The backwards placement of the hands changes our experience. The muscle engagements are different.

chromatic yoga 15 hour immersion

STEP INTO THE FIRE

REGISTRATION NOW OPEN

  • Step-by-step guidance
  • Intelligent and precise warm-up for your body
  • Drills to build and refine your skill sets
  • Essential arm balance techniques
  • All levels appropriate
  • Lifetime access available
  • Live attendance is NOT necessary—you can practice the replays
  • Affordable options available
  • VIP options available

START WITH “SIMPLE” BICEP ACTIVATION

Even though we have many of the traditional principles of an arm balance in Peacock Pose, there’s a lot we can learn from what is different. For example, the placement of the hands is backwards, which makes our hands a pulling force rather than the usual pushing. Our biceps pull us into a position to avoid leaning too much and falling over.

Asana practice, however, does not provide many opportunities for bicep strength. So how do we prepare these muscles, which are integral to the pose? In today’s video, Matt offers two drills that can be incorporated into our practice. 

First, like a bicep curl, you can place one hand on top of the other and resist the push of the top hand by bringing the bottom hand up toward your face or by simply creating an isometric contraction.

Next, on hands and knees, you can pull one hand toward the other, even swiping each hand up to the opposite shoulder.

WATCH THE VIDEO

PRACTICE PEACOCK POSE: PREPARE YOUR PULLING MUSCLES

BADDHA KONASANA VARIATION

As always, progression is key. When it’s time to actually explore Peacock Pose, this Baddha Konasana variation is a great step before we attempt the plank-like position. Why? It’s an option that allows us to create less weight in the pose by having our knees bent.  

To start off, placing some soft support out in front is a good plan, just in case we fall.  

In this Baddha Konasana variation of Peacock Pose, we practice the hand placement and arm setup while creating a diamond shape in the legs.  As we lean forward, we must remember that nothing is stopping us! The biceps (our pulling muscles) need to work. It’s all about pressing our hands into the ground and pulling them towards our face, which will help with the counterbalance. The action will move some weight back towards our feet, which will help us from falling forward.

200 Hour Online Teacher Training Certification

200 HOUR ONLINE TEACHER TRAINING

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  • Yoga Alliance Globally Recognized Certification Program

PLANK POSITION FOR PEACOCK POSE

When we arrive in this variation of Peacock Pose, the back muscles are of course involved, but it’s the leaning forward that also takes the legs up.

Additionally, there can be some conversation about the placement of the elbows. With a deeply rounded back, we may get them very low on the belly, even below the belly button, especially during the initial setup phase, but body proportion needs to be taken into consideration. Matt reminds us that when the legs lift up, it can move the belly button area further away from the elbows. It doesn’t mean that they are now in the wrong place.

Essentially, we have the same setup as in the previous variation, but you’ll see in the video that the legs go straight back and we need to be bold with the “lean” element.

300 hour teacher training online

300 HOUR ONLINE TEACHER TRAINING

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Master your skill set as a teacher through refined techniques, anatomy, biomechanics, sequencing, philosophy, meditation techniques, theming, yoga business, and much more!

  • Get 500 hour certified
  • Learn anatomy, biomechanics, asana techniques
  • Expand your teaching skills
  • Masterful sequencing and verbal delivery
  • Learn meditation and breathwork techniques
  • Transformative tools: theming, dharma talks, satsang

TAKE CARE AND LEAN

Before we even attempt any variation of Peacock Pose, we must not only prepare the pulling muscles (with bicep drills like those offered in today’s video) but also understand how much we need to lean forward to protect our wrists.  If we are at a 90 degree angle or less, this may cause a lot of pressure on the wrists. Leaning forward will increase the angle and potentially minimize the tension. It’s like a cycle: Unless we prepare the pulling muscles, we will not have the capacity to lean to the necessary degree.  

The beauty of the practice is developing this discernment. We develop a sense for what stage fits our development. Taking care to use this discernment indicates longevity in our bodies and in our practice.  

Prepare to receive step-by-step instruction and education in Matt’s upcoming online arm balance workshop, Step into the Fire.

The 200 Hr. Teacher Training: Click Here to See the Next Start Date

The 300 Hr. Advanced Teacher Training: Click Here to See the Next Start Date

Article by Trish Curling

Video Extracted From: Arm Balance Immersion 

lotus pose online yoga classes

ONLINE ANATOMY COURSE

  • Accessible, exciting, and easy to learn
  • Anatomy and biomechanics for yoga
  • Appropriate for both teachers and students
  • Learn joint alignment vs pose alignment
  • Demystify yoga poses and transitions
  • Release aches and pains
  • Learn how to avoid common injuries
  • Caters to all levels with modifications and props
  • 20 hours Continued Education Credits with Yoga Alliance
  • 20 hours toward Chromatic Yoga Certification and 300 Hour
  • Lifetime access

Continue Learning

Practice Peacock Pose

Practice Peacock Pose

Practice Peacock PoseMayurasanaPRACTICE PEACOCK POSE We go to our yoga practice for many different reasons at any given time. In our asana practice, we are sometimes seeking softness and ease. At other times, we might be striving for vigour and strength. Peacock Pose...

read more
Eka Pada Koundinyasana I

Eka Pada Koundinyasana I

Eka Pada Koundinyasana IArm BalanceEKA PADA KOUNDINYASANA I If Side Crow is already part of our practice, then Eka Pada Koundinyasana I is like adding on another layer to that posture, because they are quite similar. The added layer is that we extend the top leg...

read more
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read more
Virasana

Virasana

VirasanaHip ExtensionVIRASANA For some of us, postures like Virasana and Lotus can be uncomfortable or even painful for the knees, so we avoid them altogether. Depending on what we’re dealing with, this may be the best decision. If there is room for safe exploration,...

read more
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read more
Wall Drills To Progress In Handstand

Wall Drills To Progress In Handstand

Wall Drills to Progress in HandstandAdho Mukha VrksasanaWALL DRILLS TO PROGRESS IN HANDSTAND Wall drills for Handstand are an excellent way to master the mechanics required to go upside down with confidence. Using the wall as a support to refine alignment, rather than...

read more

THE FREE TECHNIQUE PACK

When You Subscribe, You Will Get Instant Access to

  • the Technique Pack: 15 yoga pose breakdowns
  • exclusive online course discounts
  • exclusive blogs and videos
  • This field is for validation purposes and should be left unchanged.

Eka Pada Koundinyasana I

Eka Pada Koundinyasana I

Arm Balance

EKA PADA KOUNDINYASANA I

If Side Crow is already part of our practice, then Eka Pada Koundinyasana I is like adding on another layer to that posture, because they are quite similar. The added layer is that we extend the top leg behind us, splitting it from the bottom leg.

As with any arm balance, we can encounter some challenges. A common occurrence when sending that top leg back is losing the “sweet spot” of the counterbalance.  

The good news is that there are actions, articulations, and variations we can engage in to conquer these challenges. In today’s video, Matt demonstrates a variety of ways to approach Eka Pada Koundinyasana I that will meet us where we are in the development of this pose.

chromatic yoga 15 hour immersion

STEP INTO THE FIRE

REGISTRATION NOW OPEN

  • Step-by-step guidance
  • Intelligent and precise warm-up for your body
  • Drills to build and refine your skill sets
  • Essential arm balance techniques
  • All levels appropriate
  • Lifetime access available
  • Live attendance is NOT necessary—you can practice the replays
  • Affordable options available
  • VIP options available

BACK ON THE MAT VARIATION

Unless it is a regular part of our practice, attempting Eka Pada Koundinyasana I may feel discouraging. The pieces may not come together as we want them to, or in the timeline we desire—but this is where the practice happens. It’s our opportunity to take intentional action in the direction of growth, while learning to release the outcomes.

What we also have in our favor is guidance. Matt offers a first variation that lays a foundation. It’s in a supine position, which allows us to focus our well-placed efforts on the nuances and to strengthen in order to prepare for the variations in which balance is required.

One of the key takeaways is this: Just because we are supine doesn’t mean we don’t stay active in our bodies. For example, we use a high degree of abdominal engagement to draw the front leg higher onto the supportive arm.

WATCH THE VIDEO

EKA PADA KOUNDINYASANA I: GO FORWARD, LIFT HIGHER

KICKSTAND SETUP

We may also find it difficult to lift both legs off the ground. Practicing by attempting to lift only one leg may help us gain a sense of what’s required. Using the front foot as a kickstand can allow us to explore what it feels like to lift in the back leg while we contemplate how much we need to go forward with the torso in order to lift the back leg higher. Once we feel secure and strong enough, we can slowly start to play with the idea of bringing the front foot forward and eventually lifting that foot off the ground. This kickstand variation of Eka Pada Koundinyasana I offers us the assurance that until we find full flight, the front foot can remain as a base while we work on muscle engagement and pelvic articulations.

200 Hour Online Teacher Training Certification

200 HOUR ONLINE TEACHER TRAINING

GET CERTIFIED & DEEPEN YOUR YOGA PRACTICE

  • Deepen your yoga practice
  • Build confidence speaking in front of groups in person and online
  • Learn foundational class structures and templates
  • Learn techniques for a wide range of yoga postures
  • Get certified and highly qualified to teach yoga
  • Yoga Alliance Globally Recognized Certification Program

SLIDE WITH SOCKS

Just like in last week’s article about Eka Pada Koundinyasana II, wearing socks as a prop to assist in sliding the front foot forward can make Eka Pada Koundinyasana I more accessible.

Here too, progression and advancement are in the finer details. It’s not uncommon to find it challenging to keep the bottom leg in place on the upper arm. To help with this, Matt teaches us to rotate the pelvis in a way that the “top pelvis” does a hip hike, which will help roll the bottom leg up the arm. Achieving this effectively makes the posture more vertical, which helps us not have to lean forward as much. Matt compares it to how we understand the way a handstand works: When it’s stacked more vertically, we can rely on less counterbalance and become more weightless, therefore maintaining better access to the posture.

300 hour teacher training online

300 HOUR ONLINE TEACHER TRAINING

GET 500 HOUR CERTIFIED AS A MASTER TEACHER

Master your skill set as a teacher through refined techniques, anatomy, biomechanics, sequencing, philosophy, meditation techniques, theming, yoga business, and much more!

  • Get 500 hour certified
  • Learn anatomy, biomechanics, asana techniques
  • Expand your teaching skills
  • Masterful sequencing and verbal delivery
  • Learn meditation and breathwork techniques
  • Transformative tools: theming, dharma talks, satsang

EKA PADA KOUNDINYASANA I CHAIR INVESTIGATION

If we’re not quite ready to take flight, this variation of Eka Pada Koundinyasana I on a chair may be the perfect option. In many ways, it’s similar to the kickstand setup. We start off by keeping the bottom foot on the ground, then placing the top foot on a chair behind us (best to have a chair that doesn’t roll or slide). Once we feel secure, we can start to extend the bottom leg forward. Don’t forget to lean forward to actually be able to extend that leg!  

This exploration with a chair takes some weight off of the posture, creating a pathway towards building enough strength for the ability to take flight in this arm balance.

If you want to unlock more access to arm balances like this one, register for Matt’s next 2-hour online arm balance workshop, Step into the Fire.

The 200 Hr. Teacher Training: Click Here to See the Next Start Date

The 300 Hr. Advanced Teacher Training: Click Here to See the Next Start Date

Article by Trish Curling

Video Extracted From: Flow and Fly Immersion 

lotus pose online yoga classes

ONLINE ANATOMY COURSE

  • Accessible, exciting, and easy to learn
  • Anatomy and biomechanics for yoga
  • Appropriate for both teachers and students
  • Learn joint alignment vs pose alignment
  • Demystify yoga poses and transitions
  • Release aches and pains
  • Learn how to avoid common injuries
  • Caters to all levels with modifications and props
  • 20 hours Continued Education Credits with Yoga Alliance
  • 20 hours toward Chromatic Yoga Certification and 300 Hour
  • Lifetime access

Continue Learning

Practice Peacock Pose

Practice Peacock Pose

Practice Peacock PoseMayurasanaPRACTICE PEACOCK POSE We go to our yoga practice for many different reasons at any given time. In our asana practice, we are sometimes seeking softness and ease. At other times, we might be striving for vigour and strength. Peacock Pose...

read more
Eka Pada Koundinyasana I

Eka Pada Koundinyasana I

Eka Pada Koundinyasana IArm BalanceEKA PADA KOUNDINYASANA I If Side Crow is already part of our practice, then Eka Pada Koundinyasana I is like adding on another layer to that posture, because they are quite similar. The added layer is that we extend the top leg...

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Achieve Flying Balance

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Achieve Flying Balance

Achieve Flying Balance

Arm Balance

ACHIEVE FLYING BALANCE

Achieving an arm balance is quite extraordinary when you consider all that’s involved. And when we refer to an arm balance as a “flying balance,” there is even more involved. The “flying” in Eka Pada Koundinyasana II refers to the expansion in the positioning of our bodies, which requires a great deal of adductor flexibility. That is to say that we are not only balancing on our hands, we’re also doing a variation of the splits. The techniques required for arm balances and splits can be quite demanding, so how do we put it all together? We take it step by step. Taking intentional and specific actions will support our journey towards the development of this posture.

In today’s video, Matt shares techniques that properly prepare us for our greatest potential in Eka Pada Koundinyasana II.

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LOGICAL PREPARATION

The Side Angle variation Matt teaches in the video is an accessible entry point. It removes the balance while still allowing the nervous system to adopt the patterning. As he mentions, this variation “primes the body for the experience.”

What’s unique about this approach is that we set the arms up in the arm balance position so that we can get a feel for the hand placement. Because it mimics the shape of Eka Pada Koundinyasana II, we’re also developing the flexibility of the adductors (the “splits” portion of the pose). We also get an opportunity to iron out all of the alignment misconceptions we may have, especially regarding hand placement. Matt points out a common tendency, which is placing the top elbow too high—it should emulate where we would place our elbows if we were actually balancing the pose.

WATCH THE VIDEO

ACHIEVE FLYING BALANCE: ELEVATE IN EKA PADA KOUNDINYASANA II

VARIOUS ENTRY POINTS

The very first balancing entry point Matt offers, with hands on the yoga mat on a diagonal, is a more controlled way to get into Eka Pada Koundinyasana II. Preparation for the adductors is necessary before we attempt these powerful entries.

From Standing Postures

This option is basically executed by flipping Side Angle Pose on its side. Coming in from the standing position offers more momentum.

Now, the back leg may feel heavy. To offset this feeling, Matt directs us to retract the shoulder blades and lower the torso closer to the ground. This shifts more weight forward. Entering from Trikonasana is also an option.

With Momentum

 Coming from a Downward-Facing Dog variation may make entry easier. The momentum of thrusting forward with more force can assist in achieving this flying balance. 

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SOCKS & BLOCKS

Socks

Using socks as a prop for Lizard Pose entry can make it more accessible for the front leg. Matt notes that the keys here are to turn the front leg in and up, then climb up the arm by lowering the torso, creating a shelf. Next, we lift the same-side buttock up while sliding the back leg further back to eventually lift.

Socks & Blocks

In a Downward Dog position but with one foot on a block for greater elevation, we again use momentum and the smoother transition through the socked front foot to ease into the flying balance. Note here that removing the sock from the back foot reduces slipping on the block.

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SLIDE INTO YOUR SLOT

The Chromatic approach lays out a detailed formula for step-by-step preparation for Eka Pada Koundinyasana II. Both leading up to the posture and in the posture itself, we can slide ourselves into the section of preparation that supports our growth and development. If it’s right for us to first develop the flexibility of the adductors, we can practice a facilitated stretch in postures like Side Angle and Trikonasana. If we need to lean into the work of where we stand in terms of the various entry points, then this is where we can default to in our yoga practice. If we can already achieve flying balance in Eka Pada Koundinyasana II, then we can refine details, like leaning more forward or expanding by stretching each leg out more to the sides. There is always a place to step into our own challenge. When we choose consistency in the challenge, we find growth and increased potential.

Last chance to register for Matt’s upcoming Chromatic Global Training, which will support the further development of advanced postures like this one. 

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Article by Trish Curling

Video Extracted From: Flow and Fly Immersion 

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THE FREE TECHNIQUE PACK

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  • the Technique Pack: 15 yoga pose breakdowns
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BLACK FRIDAY SALE! Congratulations, your 30% discount code has been applied and will be reflected at the very bottom of the checkout page. All Immersions & Immersion Bundles are included in this sale. To get more info on each immersion click on the photo. On Demand and Lifetime Access To all

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