Trisha Curling, Author at THEYOGIMATT

Take Flight in Crow Pose

by Trisha Curling | Aug 25, 2022 | Main Page Display

TAKE FLIGHT IN CROW POSE

Strengthen Your Wrists

KAKASANA

WHAT IS THE SECRET TO TAKING FLIGHT IN CROW POSE?

In order to take flight in Crow Pose, it may seem obvious that a great deal of emphasis needs to be placed on your hands, but what often happens is that a great deal of attention is placed elsewhere.

When you think about Crow Pose—Bakasana—you may first think about what you need to do to either strengthen and/or activate the core. This is true, but how often do you think about what is necessary for your hands, wrists, and forearms? This part of your body plays a vital role not only in whether you will find enough strength to sustain the posture for any length of time but also in protecting your wrists overall.

A great deal of time is spent in wrist extension in yoga. Most commonly, you see varying degrees of this in postures like the following:

Variations of Plank/Vasisthasana
Chaturanga Dandasana
Fallen Angel (Devaduuta Panna Asana)
Variations of Crow (Bakasana)

Matt talks a lot about starting postures from the ground up, and in Bakasana, this couldn’t be more true. You are balancing your entire body weight on your hands/wrists, so creating a solid foundation with your hands/wrists/forearms is non-negotiable. There are also actions in the hands that are mimicked/duplicated in the rest of your body as you layer on each action in the posture. You will see how everything is so closely related in Matt’s demonstration.

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THE BALANCE BETWEEN WRIST FLEXORS AND EXTENSORS

When you understand how your body is working in each posture, it becomes a lot easier to see exactly how much everything is connected and how that both influences and supports the rest of your body parts in activating and responding the way you would like and need them to for stronger execution.

Because you spend a lot of time in wrist extension in yoga, the wrist extensors (which are located on the back side of the forearms) are often shortened, and the flexors of the wrist (located on the front of the forearms) are in a more lengthened position. It’s imperative that these muscles be strong enough to, as Matt puts it, “apply the brakes” in arm balances.

Sending your weight forward is required in Crow Pose, so the strength of the “opposing action,” or creating an eccentric contraction of the flexors of the wrist to almost pull you back (that “application of the brakes” if you will), is in essence doing the work of keeping you balanced in the pose. Without this opposition or strength of the wrist flexors, you would just continue to go forward and then downward with gravity and eventually fall.

So how do you activate and strengthen the flexors of the wrist? If you’ve practiced with Matt before, you’ll know that he often refers to creating a “suction cupping” of space, or a Hasta Bandha in the hands (an energetic hollow-like quality in the center of the palms).

“Hasta Bandha (Hand Lock) assists energy up through the soft center of your palms to bring strength and stability to your arms and upper body.”

Ekhar, Esther, The Bandha Approach You Haven’t Tried—That Could Change Everything, Yoga Journal, February 28, 2018

FOCUS ON YOUR HANDS

In Crow Pose and other arm balances like it, the more you lean forward, the more you are required to grip the fingers into the ground in order to achieve the appropriate activation.

Let’s look at some of the anatomy first.

Your carpals are all of the tiny bones at the wrist (base of the palm), and the carpal tunnels are the space for the nerves to go through.

When it comes to the hands in Crow Pose and other arm balances, we want to be lighter in the carpals (with less pressure, pulled away from the ground, due to the nerve lines that are present). In opposition to this, we want to get stronger and push into the ground at the head of the metacarpals (this is the surface/place you might describe as the knuckles or where the fingers [phalanges] meet the upper portion of the palm.)

You achieve this action by drawing the pinky and the thumb towards each other and down into the ground at the same time. This action can also be described as adduction (pulling in towards the midline of the palm). At the same time, the 3 fingers (pad of the index, middle, and pinky) are also pulling towards the palm of the hand.

This is creating a generous amount of activation and therefore strengthening of the flexors of the wrist (flexor digitorum profundus and superficialis). Although there are many other muscles involved (both flexors and extensors) that are co-activating, these are 2 that are great to keep in mind because the flexor digitorum profundus attaches all the way down to the fingers. This muscle also works in conjunction with the flexor carpi radialis and the flexor digitorum superficialis (as previously mentioned).

This fact demonstrates how essential it is, for your practice, to get into deeper awareness and connection with your body in an anatomical sense. This reinforces that nothing works in isolation and that one part of the body, one action, creates a domino effect for other activations, movements, and strengthening to occur.

WATCH THE VIDEO: STRENGTHEN YOUR WRISTS FOR CROW POSE

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STRENGTHEN YOUR WRISTS IN CROW POSE WITH BLOCKS

Let’s now take the deeper awareness and solid foundation of the hands and create the domino effect with the rest of the body in Crow Pose. In today’s video, Matt demonstrates how helpful blocks are when it comes to strengthening the flexors of the wrist. If flying is not your thing, or it’s just not your thing within a specific practice, you can still work on strengthening the flexors of the wrist by using a set of yoga blocks under your feet and leaning your bodyweight for more extension in the wrists.

Here are the steps Matt outlines in today’s video:

Place your feet up on the blocks
Take your hands out in front, grip the ground with fingers (using all of the actions previously outlined)
Place knees outside of the arms and squeeze into arms (mimicking the action of the pinky and thumb drawing towards one another)
Lift bum up to sky
Lean bodyweight forward (increased wrist extension and eccentric contraction of the flexors)
*Now bring your awareness back to the hands; play with the fingers—grip the ground, press through metacarpals, lean forward, and keep strong in the flexors of the wrist
Bonus is to lift the heels of feet towards bum to fly

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THE BIG PICTURE—TAKE FLIGHT IN CROW POSE

Squeeze knees into the arms
Protract the shoulder blades
Grip fingers into the ground

Inviting in what may be some new actions to this posture, or to any other posture where the wrists are in extension in your physical yoga practice, helps to create a new muscular pattern. Repeating these actions will help your brain allow you to more easily default to these actions and therefore find the strength, ease, and lightness that’s desired in any arm balance.

PARALLELS BETWEEN CROW POSE & HANDSTAND

The beautiful thing about creating these patterns in your body and practicing the proper mechanics in Crow Pose is that these same mechanics translate quite well into other arm balances.

If you take a look at my previous article, Kick Up Into Handstand, you’ll see exactly how Matt guides you through the same preparation for the wrists and forearms. You’ll see the importance of gripping the ground, the same alignment for the forearms, and the negotiation of the shift in weight required to balance (the balance of strength between the wrist flexors and extensors)—the same actions and techniques that help you to take flight in Crow Pose are the same fundamentals that help you see success and that assist with the crossover from one arm balance to another.

Matt’s next Immersion, Handstand and Meditation, offers you an incredible opportunity to work on these fundamentals time and time again. You can also dive deeper into these teachings in his next 200 & 300 Hour Teacher Trainings.

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Article by Trish Curling

Video Extracted From: Mobility Immersion

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KICK UP INTO HANDSTAND

by Trisha Curling | Aug 19, 2022 | Home Page, Main Page Display

KICK UP INTO

HANDSTAND

Master 3 Key Actions

alignment

HANDSTAND—3 KEY ACTIONS

“Squeeze in, turn in, tuck the tail.” These are the 3 key actions for handstands that Matt explains are a must. These may sound like simple cues, and they may even be easy to execute if you’ve already mastered kicking up into a handstand; however, if the pose is brand new and/or you’ve been working at it but still can’t “crack the code,” doing these 3 key actions in addition to all the other steps to prepare yourself may be what you’re missing. Layering on the specific techniques and muscle activations that Matt lays out for you is an essential part of your journey to kicking up into Handstand.

It’s impossible to skip the steps required when the intent is to kick up into a handstand position. This actually pertains to any posture, but if you’ve practiced with Matt before, you’ll know how much he stresses that it’s the foundations and the repetition of those foundations that really prepare the body for the desired outcomes. When you repeat these actions over and over again, you build the patterns into your body so that when it comes time for more robust movements and shapes, your body will respond.

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HANDSTAND PREPARATION 1 & 2

Here are the steps for Handstand Preparation 1:

Place your hands on the ground
Set up your blocks behind your forearms
Straighten your elbows
Elevate the scapulae (push the floor away and bring your shoulders up to your ears)
Lift your heels as high as you can

Handstand Preparation 2 is a continuation of the process and includes lifting one leg up.

Here are the steps:

Inner leg lifts up to the sky as high as you can
Look up to the lifted leg; when you do this, it’s common for your weight to shift back. Your weight needs to go forward
Lean forward into your fingers (or more specifically, into the metacarpals)
Lift the bottom heel as high as you can
Push through the arms (lifting the shoulders up)

What muscle engagements are happening? The gripping of the ground leads to activations in the muscles in the forearms. The elevation of the scapulae leads not only to the activation of the muscles of the shoulders (deltoids) but also to the contraction and use of the trapezius muscles.

This action of elevating the scapulae also helps you avoid shoulder impingement.

As you lift the shoulders up, you are getting longer through the sides of your body, which creates length and stretch through the latissimus dorsi; however, it’s the upper fibers of the trapezius that you want to strengthen in order for you to rely on the strength there rather than on the stretch in the latissimus dorsi. Additionally, contracting the abdominals will assist in bringing the ribcage back and into better alignment, reducing excessive spinal extension. The action here is to contract the abdominals while expanding. You can do this by pulling your front ribs down as you continue to push strongly through your hands.

WATCH THE VIDEO: KICK UP INTO HANDSTAND

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HANDSTAND PREPARATION 2 WITH A CHAIR

Before we dive in, be sure to use a chair that is stable and steady on the ground. Matt can use a rolling chair due to his many years of experience in the posture. This is important, because once you set your hands on the ground, you place 1 foot on the chair prior to the required muscle engagements. The chair should be secure for you.

Once you have 1 leg on the chair, Matt walks you through the same steps as in Handstand Preparation 1 & 2. However, there are some slight differences when you use the chair. Matt cues you to feel as though you are pulling the chair towards you, while the top leg stays away from the wall.

ANATOMY OF ARM BALANCES

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KICKING UP INTO L-POSE HANDSTAND

When your foot returns to the ground, it’s easy to feel very heavy towards your foot, so leaning forward into the hands is imperative.

Now, Matt stresses that the ability to balance in “L-Pose Handstand” is a must. This means keeping 1 leg low. If you can balance there, this can translate into sending both legs up to the sky. Remember those 3 Key Actions for Handstand from the beginning?

Squeeze in
Turn in
Tuck the tail

What do these actions mean, and why are they important?

Once you’re in a handstand position, you have to stop the movement of your hips; otherwise, you will be thrown off balance. In this stage of maintaining your balance, squeeze in means squeezing your legs together (activating the adductor and abductor muscles). Turn in means to internally rotate the thighs (activating TFL, pectineus, and hip flexors). Finally, tuck the tail (posterior tilt of the pelvis) helps to activate the hamstrings, the glute muscles, and hip extensors). Doing all of these things will help to stabilize the legs in Handstand.

With all of this, there is still so much more to this posture. Matt’s next immersion, Handstand and Meditation, begins September 7th. Gain deeper insights into what is required of both mind and body by registering for the immersion.

See you on the mat!

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Article by Trish Curling

Video Extracted From: Anatomy Of Arm Balances

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firefly pose titibhasana

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EKA PADA BAKASANA II

by Trisha Curling | Aug 12, 2022 | Main Page Display

EKA PADA BAKASANA II

The Essence of Push & Pull

THE GUNAS

THE GUNAS—The essence of push & pull

We’ve all experienced the essence of push and pull in one way or another. Its presence is evident all around and within us. We all experience the rise and fall, the movement of our thoughts in our minds (the vritti). These forces are present during our various emotions, when we’re making decisions, during conflict, when we are challenging ourselves physically and emotionally. Push and pull is undeniable in nature and the environment all around us… You get it. It’s really everywhere. We also experience it in our yoga practice. In the Yoga Sutras, these forces are explained as the Gunas.

To be more specific, Alan Finger, in Tantra of the Yoga Sutras, explains Yoga Sutra 1.16 (Tat param purusa khyater gunavaitrsnyam) in the following way:

“The three gunas are rajas, tamas, and sattva. They are considered to be the primary sources of nature that are responsible for all of the change and movement that we experience in life.”

Finger, Alan. Tantra of the Yoga Sutras, Shambhala Publications, 2018. (pg. 26)

What’s incredible is that we will see how this also applies to our physical yoga practice. Matt breaks down the biomechanics of Eka Pada Bakasana II and shows us how the essence of push and pull exists in both the mind and the body.

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RAJAS, TAMAS, & SATTVA

Finger explains how rajas is a more outward, vigorous force, while tamas is a more inward, softer, more restful force. While these 2 energies sit at opposite ends from one another, it’s sattva that sits in the middle and/or is considered the balance between the two. Alan Finger explains that sattva is where we find stillness.

Being that these forces are ever present and that the circumstances of our lives are constantly shifting, it’s easy to find ourselves leaning more towards one side of the spectrum than the other. It’s our awareness that helps us to recognize when we have gone “too far” over to one side. Now, it’s super important to understand that if we adopt the more contemporary interpretation of the three gunas, then we understand that all of these forces are necessary and very human parts of life. It’s not “bad” to experience one or the other, but it’s your awareness and deeper connection, or knowing of yourself, that helps you experience these states of being without any attachment.

When in a more rajasic state, we are in a place of taking action; we are “handling our business,” so to speak. There is no struggle to get out of bed, we might engage in a regular asana practice, we eagerly run through tasks at home and/or at work, etc. On the other side, in a more tamasic state, we surrender to rest, and we tend to go more inward. In this state, we allow ourselves time to replenish and renew.

If we adopt this more contemporary point of view, there seems to be a comfort and safety present. There is no need to reject what already exists within and around us. Noticing, without judgment, these forces of nature may help us move and flow more freely between each state when necessary. This may be viewed as actually being in a more sattvic state because we are actually experiencing flow, a steady mind, and therefore stillness and balance.

HOW DOES THIS APPLY TO YOUR PHYSICAL YOGA PRACTICE?

Matt teaches a class in the Heart Module in his 300 Hr. Teacher Training called “Push & Pull: Rajas and Tamas. Crow/Half Crow Half Titibhasana” (Eka Bakasana II). There he says, “Sattva is how we feel when the push and pull of rajas and tamas come into a state of equanimity. This leads quite nicely into how we can understand the push and pull in our asana practice as well. In this sense, it’s the actions and activations we take in our bodies.”

Before we explore this, it’s also essential to understand that even though the gunas are natural forces of nature, we can still find ourselves spending too much time on one end of the spectrum. In this class, Matt explains that when we are way out of balance, a more rajasic state can produce feelings of anger, impatience, even anxiety. If we’re spending too much time in a tamasic state, this is where we may not be attending to necessary tasks and there is loss of energy and lack of motivation.

Just like our yoga practice, these emotions, actions, or lack of actions are not who we are; they are actually opportunities. They are messages telling us something. They’re sending us messages that something needs to shift. This can be recognized as the development of our discernment. Now this is key, this is actually the juicy part! This collision of philosophy and physical practice is where we really unleash both our emotional and physical potential.

In today’s video, Matt demonstrates the required push and pull in Eka Pada Bakasana II (Half Crow / Half Titibhasana). We witness the importance of what Matt says: “harnessing the activity of the mind (rajas) to move toward sattva.” This is done with focus and intention. There can only be well-placed effort, continuous well-placed effort, in order to achieve this.

WATCH THE VIDEO: EKA PADA BAKASANA II

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EKA PADA BAKASANA II (HALF CROW, HALF TITIBHASANA)

When it comes to the execution of Eka Pada Bakasana II, the push comes from the upper body, while the pull is in the lower body. There must be equal effort within these opposite actions. This can be interpreted as a “sattvic state in the body.” What I mean by opportunities is that when we feel something “off” in these actions, we must utilize our discernment. Maybe there is not enough pull/adduction of the legs and/or not enough rounding (protraction) of the upper back due to lack of push with the hands/upper body. Even neglecting the internal rotation of the extended leg can throw things off. This may lead to a loss of stability in the posture, taking us out of balance.

We can see more deeply how this is the practice; this is yoga. The process of harnessing the mind to focus and find balance and equanimity in Eka Pada Bakasana II (Half Crow/Half Titibhasana) is completely aligned with our process to move towards sattva in our emotional body. There can be moments of frustration, of uncertainty, but again, these are all beautiful messages for us to receive. They are exquisite opportunities for us to explore and experience without attachment.

ANATOMY OF ARM BALANCES

MAY 2022 Immersion

Anatomy of 12+ arm balances
Foundational and advanced arm balance techniques
Visualize your movements internally
Improve balance and proprioception
Sensation-based practices
Learn empowering modifications
Access appropriate variations for your level of practice
Active, passive, and isomentric Stretching
Improve wrist, core, and shoulder strength
ALL LEVELS APPROPRIATE

$168.00

MORE INFORMATION

✋ SIGN ME UP

Take the opportunity to dive deeper into these teachings and the potential of your physical body in Matt’s upcoming 200 & 300 Hr. Teacher Trainings.

See you on the mat!

The 200 Hr. Teacher Training: Click Here to See the Next Start Date

The 300 Hr. Advanced Teacher Training: Click Here to See the Next Start Date

Article by Trish Curling

Video Extracted From: 300 Hr. Training

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CHOOSE YOUR PATH

NEXT TRAINING BEGINS FEBRUARY 2024 ENROLLMENT NOW OPEN!

200 Hour Training

NEXT TRAINING BEGINS FEBRUARY 2024 ENROLLMENT NOW OPEN!

300 HOUR TRAINING

Continue Learning

full side plank and modifications

Eagle Pose technique how to double wrap the legs

hips and hamstring flexibility

Yoga Sequencing: Teaching Technique Reverse Engineering

Best Backbend Technique to relieve back pain

firefly pose titibhasana

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Downward Dog Shoulder Alignment

by Trisha Curling | Jul 15, 2022 | Home Page, Main Page Display

DOWNWARD DOG

SHOULDER ALIGNMENT

How Yoga Props Enhance Your Downward Dog

ADHO MUKHA

ALIGNMENT QUESTIONS IN DOWNWARD-FACING DOG

How many times have you done Downward-Facing Dog in your yoga practice? I can’t answer that either. It’s a posture that shows up in a yoga class quite often. It just becomes part of the foundation of a physical practice after a while. When you started your practice, you may have been told that it’s a resting posture, but it doesn’t always feel like that, does it? It takes some time for it to feel “right” or even “comfortable.” You’ve most likely navigated through things like the following:

Should my heels touch the mat?

How far apart should my hands be from one another?

What about the direction of my hands?

How far apart should my hands be from my feet?

Should my wrists feel this way?

Is it ok to bend my knees?

This list goes on.

Over time, you start to develop a deeper understanding of the pose and to develop and integrate patterns in your body that feel “right.”

As you continue to learn and grow in your practice, you may also reach a point where you begin to wonder if these patterns are actually serving you. This wondering may come from pain and/or injuries that arise, or simply from exposure to different practices and/or teachers. What often happens is that once you get comfortable with “the way you’ve always done it,” the challenge may be to consider a different way and/or to add on some new actions to actually improve not only the posture but also the health of your joint placement/alignment in the posture.

It is important, however, to be open to the process of “unlearning” and the process of developing new patterns. The important perspective to take when you encounter times like this in your yoga practice is to understand that it is all a part of growth and your specific journey to learn more about your own body. It’s actually an opportunity. Approaching your practice with an openness to opportunity often leads to the unraveling and to access to new breakthroughs in your practice.

SHOULDER REVELATION

Strength•Mobility•Biomechanics

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WHAT IS SHOULDER IMPINGEMENT?

“Shoulder impingement is a common condition believed to contribute to the development or progression of rotator cuff disease.”

Ludewig, Paula M, and Jonathan P Braman. “Shoulder impingement: biomechanical considerations in rehabilitation.” Manual therapy vol. 16,1 (2011): 33-9. doi:10.1016/j.math.2010.08.004

Shoulder impingement and/or a pinching sensation in the shoulders is a common complaint when it comes to the execution of Downward-Facing Dog. You might feel this in early attempts to do the posture or after repeating patterns like drawing your shoulders away from your ears, which may cause pain or irritation in the posture.

In the video, Matt explains quite nicely by saying that when you draw the scapulae (shoulder blades) away from your ears, the upper arm bone (humerus) collides with the acromion process. This action and collision is what creates the impingement, or “pinching.” This pinching can create pain or discomfort or may even lead to injury. From a visual standpoint, how do you know this is happening? Matt explains that you can see what looks like a “dimple” in the shoulder when the humerus is pulling down away from your ears. For further information for proper alignment in Downward Dog, you can also check out Matt’s blog 3 STEPS TO AVOID SHOULDER IMPINGEMENT IN DOWNWARD-FACING DOG.

WATCH THE VIDEO: DOWNWARD-DOG SHOULDER ALIGNMENT

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USING A ROLLED UP YOGA MAT FOR DOWNWARD-FACING DOG

Rolling up a yoga mat and using it as an additional prop provides excellent feedback and even assists you in the execution of the steps to set up Downward-Facing Dog. It helps to create new patterns in your body to avoid shoulder impingement in this foundational posture.

Matt details exactly how to use your mat by following these steps:

Place a rolled-up mat horizontally across the top of your mat.
Place your hands in front of the rolled-up mat.
Move backward into Downward Dog (bend your knees and send your tailbone to the sky).
Lifting them up, move your armpits forward toward your hands.

What’s happening here is that this action will activate the rhomboids, and the upper trapezius will activate from the lift of the armpits. This will also support the movement of the top of the shoulder blades going inward while the bottom of the scapula are protracting.

This step also provides a great opportunity to check in and get some feedback within your body. If you’re putting a lot of pressure into the yoga mat, then you know you’re dropping the armpits down and are causing the sub-acromion pinch. Matt offers the cue here of reaching through the outer lines of the arms so that the scapulae upwardly rotate.

“During normal motion, the scapulae will upwardly rotate and posteriorly tilt on the thorax during elevation of the arm in flexion, abduction, scapular plane abduction, or unrestricted overhead reaching.”

Ludewig, Paula M, and Jonathan P Braman. “Shoulder impingement: biomechanical considerations in rehabilitation.” Manual therapy vol. 16,1 (2011): 33-9. doi:10.1016/j.math.2010.08.004

5. Externally rotate the humerus (biceps face forward, and pinky edge of the hand pulls bottom portion of scapula around).

After these actions are put into place, you may feel like the inside edge of your hand is pulling up, so articulating the next step is important.

6. Turn your palms down (the radioulnar joint pronates the forearm, and this is a separate action that happens specifically at the forearm, separately from the action of the external rotation of the humerus).

7. Turn hands out a little more and wider (this also helps to create less chance of shoulder impingement).

8. Heels of the hands are lifted (again, creating that lightness and less touch against the yoga mat).

Not only will this create less impingement, it will also strengthen the flexors of the wrist, which will feel better and allow you to feel more safe.

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SIMPLIFY THE STEPS FOR MASTERING DOWNWARD-DOG SHOULDER ALIGNMENT

In the video, Matt offers what’s called a “Mock” or “Modified” Downward Dog on your knees. Here are the steps:

Lift armpits
Lengthen — shoulders to the ears
Go up and back
Externally rotate the arm bones (biceps face forward)
Lift heels of the hands (carpal tunnels)

Integrating these new actions may feel quite awkward once you start to gradually implement them. They may not feel quite “right.” This is that process of “unlearning” and creating new neuromuscular patterns in your body. Eventually they will start to feel more “comfortable,” and you will notice the change in the development of your strength. Setting this foundation will help to support your journey in other postures in which it is necessary to utilize strength and balance from your shoulders, forearms, and hands.

If you enjoy diving deeper into the potential of your body and of the yoga practice as a whole, you can deepen your studies in Matt’s 200 and 300 Hr. Trainings.

CLICK ON THE LINKS BELOW FOR MORE DETAILS.

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Article by Trish Curling

Video Extracted From: 300 Hr. Training

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Calm The Mind with Meditation

by Trisha Curling | Jul 10, 2022 | Main Page Display

CALM THE MIND

GO BENEATH THE SURFACE

SUTRA 1.2

CALM THE MIND

“If restraint of the mental modifications is achieved, one has reached the goal of yoga.” This is taken directly from The Yoga Sutras of Patanjali (pg. 3).

“Yoga is the experience we have when all vritti (fluctuations of the mind), the movement arising in our consciousness, is stilled.” This is the breakdown/interpretation from Tantra of The Yoga Sutras by Alan Finger (pg. 21).

Both explanations of Yoga Sutra 1.2 “Yoga citta vritti nirodhah” help us to understand what we seek in our practice and in our lives. What we seek is stillness, the decluttering and calming of the mind in order to exist and take action from a place of steadiness and discernment rather than from a place of reactivity, being steered by our emotions.

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THE 5 LAYERS OF THE MIND

The Tantric point of view seems to provide more space for the allowance of our natural human experience, which includes the 5 Layers of the Mind. These are explained in Tantra of the Yoga Sutras as follows:

Undistorted Knowledge occurs when the mind creates an image from direct perception; for example, what you experience from your senses and/or intuition, deductions form partial information, and/or credible testimony from text, a teacher, or parent

Misconception happens when the mind directly perceives something through the senses or intuition but creates a distorted image of what it is perceiving.

*This distortion may come from our samskaras, which are our underlying, deep-rooted patterns and beliefs, which are deeply connected to our ego and how we define ourselves by specific identities and experiences.

Imagination is when we hear about something, and the mind creates an image that is based on anything other than words.

Sleep—here, the mind experiences inertia. This is its own form of vritti, which helps the mind to reset and recharge. To calm the mind, mastering sleep habits is essential.

Memory is when a previously perceived object, form, or idea comes back into consciousness.

From the Tantric perspective, these are natural occurrences of which we are not trying to “rid ourselves” but simply (or not so simply) trying to harness. These layers exist, and they are valuable to our human experience in this life. It is my opinion that whatever language we resonate with, both perspectives do offer us the ability to understand that we have the potential and competence to go beneath the surface of these fluctuations. “Going beneath the surface” can essentially be interpreted as calming the mind. When the fluctuations create chaos and/or anxiety, we become off balance, and the mind feels cluttered and busy. This is when and why we go to our yoga practice, meditation, and pranayama: in order to soften these layers.

How is this achieved? This is achieved through focus with intention. This can also be interpreted as well-placed effort, or abhyasa, which means “making your best effort to focus all the vritti on one single point, whether it is an action, object, thought, or image.” Finger, Alan. Tantra of the Yoga Sutras. Pg. 26.

Matt has this ability to effortlessly weave this into every class. Each breath, transition, and biomechanical setup is methodical and very intentionally expressed so that we have no choice but to move in a way that harnesses our attention within. We are focused on not only the movements but the sensations we experience throughout. These are the “aha moments,” if you will. Matt explains that it is when we go deeper, to the level of awareness of the sensations, that we actually experience stillness. This is when we go below the layers of the fluctuations of the mind. This is when we find more calm and presence in the moment.

At the end of today’s video, you’ll see how even what may appear to be a “simple movement” is executed with such precision and awareness that we have no choice but to surrender to the sensations and to the release of the “fluttering” of the mind.

In this particular class, Matt is preparing us for Side Crow. He talks about this harnessing of the mind within the movement, and he explains how we focus the body and breath in order to go deeper within. He then proceeds to the next actions in the physical body that will lead us toward what is necessary for Side Crow, but in the moment, we are fully engrossed in the stillness of the mind in the present moment and present actions. Now, as our muscles activate, building heat and tension, the fluctuations may want to rise and fall with more intensity again, but please note that all vritti are motivated by either pain or pleasure; whether the experience is difficult and challenging or easy and delightful, we can still place our efforts in a way that helps us maintain a sense of tranquility. Maybe when the vritti intensify due to challenge, the tranquility can come from an understanding that any particular challenge is ultimately happening for us and not to us and that by letting go of the outcomes (vairagya), we will come to see just exactly how they serve us in the end. On the other hand, when there is excitement, joy, and happiness, and the mind is wild with elation, we can enjoy it for what it is and yet recognize that these are the energies of life—the ups and the downs don’t determine our value; they simply reveal an opportunity to stay present.

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“Calm the Mind with Meditation”

The 5 KOSHAS OF OUR EXISTENCE

But, what are these deeper layers? What lies beneath the surface of the vrittis? Where do we actually find/experience stillness? How do we find more calm in the mind?

In Eastern philosophy we come to understand the Koshas (or the energetic layers of our body that encapsulate one another).

In the context of the yoga practice, the 5 Koshas are:

Physical – Annamaya Kosha – This is our physical body. This is where we bring awareness to the biomechanics and techniques in our practice. We become more skilled at the awareness of our bodies in space (proprioception). Matt explains that we develop more discernment when it comes to knowing the difference between our mind being uncomfortable and our bodies being uncomfortable. There is a difference between pain and discomfort. We learn to decipher between the two in order to honour our bodies within our practice.
Energetic – Pranamaya Kosha – This is the vibrancy of our energy (i.e. when we wake up after a good night’s sleep, we feel rested and vibrant. We feel the exact opposite after a poor night’s rest. Also, when we are working on this layer we are working on pranayama.
Mind – Manamaya Kosha – Here we are getting closer to the awareness of who we are. We are more self aware of our mental and emotional patterns by way of our physical practice. We come to understand the lens through which we look and how we perceive life.
Awareness – Vijnanamaya Kosha – This is our intuitive body and/or our insight.
Bliss – Anandamaya Kosha – The inevitable result of becoming more self aware – strengthening connection to the 3 outer layers, our ability to become aware and then the inevitable bliss

Surrendering to the sensations and awareness of the first 3 layers help to unlock the deeper inner layers of awareness and bliss. Matt explains that bliss is the inevitable result of becoming more in tune with our ability to become aware. This is actually the practice of svadhyaya (self-reflection/awareness).

In Chromatic yoga, Matt guides us to understand that this is exactly what is taking place. He provides continued opportunities in our asana practice to become more aware within the first 3 layers and that this is how we access the stillness, we go beneath the fluctuations of the mind and more inward towards awareness and bliss. As described above, we do this by paying attention to techniques and the biomechanics of the body. Matt shows us how to become more aware of how to engage and arrange our joints to feel better in our bodies on and off of the yoga mat. The goal is to become self aware in the asana practice. To then become in all areas of our lives.

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THE ROLE OF MEDITATION TO GO BENEATH THE SURFACE

At the beginning of the Heart Module in Matt’s 300 Hr. Yoga Teacher Training, he describes Meditation as a way to help ourselves to “clean out the dirt and dust” within our minds. Again, it is a process of self-inquiry that helps us understand where the dirt came from and why we didn’t clean it sooner. Meditation keeps the dirt from building, self inquiry inspires us to keep meditating. We also come to understand that meditation is not the removal of our thoughts, but again where we place our attention. This is exactly what the Tantric perspective provides for us. There is the understanding that the 5 layers of the mind are not to be removed (they are natural), but where do we place our attention? Yes, you’re right…beneath the surface.

In the 2015 study, Meditation: Process & Effects, by: Hari Sharma, it explains that:

“During the process of meditation, accumulated stresses are removed, energy is increased, and health is positively affected overall.”

This directly reveals the value of meditation and its ability to settle the fluctuations of the mind. It’s focused attention and the well placed effort (Abhyasa) of our awareness that supports the removal of certain stressors. This supports our ability to quiet and calm the mind. With increased energy, we can go to our mats for asana in order to build on our awareness of the 3 outer layers of the koshas.

The study also says:

“In ancient Vedic texts, it is said that the meditation process takes the mind from the outer realm of the objective world to the inner realm of the inner faculty (which includes the mind, intellect, ego, and Chitta – the storehouse of all memories and impressions of life), and finally goes beyond both the outer and inner realms to reach the deep inner Self.”

Sharma, Hari. “Meditation: Process and effects.” Ayu vol. 36,3 (2015): 233-7. doi:10.4103/0974-8520.182756

This is it, it describes the process of going from the external to the internal and finally going to the inner realm to the deeper self. This is just another way of describing the shift from sitting within the crashing waves of the mind, to going beneath the surface and into the stillness.

There is clearly a lot to uncover and unpack here, but this is the beauty of stepping into our awareness. All we have to do is take the first step.

“Yoga citta vritti nirodhah” can happen at any time you want. You don’t just go to the yoga mat to find this. You go to life to find this. Funneling attention into awareness itself at any time helps you to find more opportunities and moments to remain in the realm of stillness.

The 200 Hr. Teacher Training: Click Here to See The Next Start Date

The 300 Hr. Advanced Teacher Training: Click Here to See The Next Start Date

Article by Trish Curling

Video Extracted From: 300 Hr. Training